I’m a Christian and I Hate Christian Movies, by Alissa Wilkinson

Part of ongoing series: The Future of Faith-Based Filmmaking

Some of the most popular faith-based movies today aren’t just sub-par entertainment — they’re anti-Christian.

by Alissa Wilkinson

We need more depictions of complicated, interesting Christian characters and media that explores difficult, complicated matters of belief. GND2 is anything but.
We need more depictions of complicated, interesting Christian characters and media that explores difficult, complicated matters of belief. GND2 is neither.

It’s a frustrating time to love movies and God. As a lifelong evangelical and a Christian film critic, I’m constantly alerted to the next faith-based movie. You know, your near-death experience drama, your Kirk Cameron vehicles, your God’s Not Dead franchise (see “part two” in theaters this week!) — “Christian films. Which, for someone who turns to movies for a dose of culture, often look like a pile of cheap cash-ins that make me break out in hives.

Hollywood’s definition of the “faith audience” boils down to churchgoers, often Evangelical Protestants, well enough off to afford a night at the movies, interested in inspirational Biblical adaptations and movies about heaven, family, and genial, good neighbors, and highly critical of any sexuality or bad language. If you’re not devout, you probably miss these movies entirely. But they’re a big business: in the last three years, low-budget Christian-themed films have earned over $445 million at the US box office.

A lot of these are basically well-intentioned kitsch, innocuous in the manner of a lousy conventional rom-com or inept indie drama. But they can be worse than that. I can excuse (or ignore) a poorly made movie. But some of the most popular faith-based movies today aren’t just sub-par entertainment — they’re anti-Christian.

Continue reading

Alissa Wilkinson is critic at large for Christianity Today, an assistant professor of English and humanities at The King’s College in New York City, and usually a pretty sunny cinematic omnivore. Follow her weeks-late TV tweets and exhausted festival updates at @alissamarie.

See Also

Current Films by Act One Graduates Reveal Strange Dichotomy in Box Office Mojo’s ‘Christian Movie’ Category

Why Evangelical Films Fail, by Peter J. Leithart

The Future of Faith in Film? Youth and Evangelicals Outstrip All Other Movie-going Audiences, by David Kinnaman

The Blind Side Leading the Blind: Better Faith-Based Filmmaking by Living Better Stories