Two Handed Warriors at Three Years: A Promising Start to a Common Language …Friendship!

Reimagining Faith and Culture One Story at a Time

What Inigo Montoya taught me about transformational leadership

Educators, filmmakers, ministers, and leaders of all kinds share a common desire to influence society for good. What we lack is a common language for understanding one another’s perspectives.

by Gary David Stratton • Senior Editor 

“These were the men who came to David while he was banished from the presence of Saul. They were among the warriors who helped him in battle. They were able to shoot arrows or to sling stones with both the right and the left. Warriors who understood the times and knew what Israel should do.”

-1 Chronicles 12

Inigo Montoya and the Man in Black model two-handed swordplay (The Princess Bride: MGM Home Entertainment)
Inigo Montoya and the Dread Pirate Roberts model two-handed swordplay (The Princess Bride: MGM Home Entertainment)

The Princess Bride (1987) is full of many of my all-time favorite movies scenes. The one I love most is the comedic sword fight between Inigo Montoya () and the Dread Pirate Roberts (). Unbeknownst to either swordsman both duelists fight with a secret: each spent thousands of hours mastering swordplay not only with their right-hand, but also with their left. To make the contest more sporting they are fighting with their non-dominant hand.

As the duel builds to its hilarious conclusion, the combatants slowly begin to realize that expertise in single-handed swordplay is completely inadequate preparation for battle with a true master. Eventually each must reveal the awful truth, “I admit it. You are better than me. But I know something you don’t know, I am not left-handed.” The tide of battle quickly shifts as they switch to their other hand. In turns out that, becoming a two-handed warrior is essential to achieving your life mission—whether that mission is piracy, true love, or revenge.[1]

The Danger of One-Handed Swordplay

The writer of the book of Chronicles reveals a similar strength in King David’s army. One reason they were so devastatingly effective in battle was their ambidextrous fighting abilities. “They were able to shoot arrows or to sling stones with both the right and the left.”  If the angle was wrong for a bowshot with one hand, they could take it with the other. If one hand was occupied or injured, they could quickly switch to the other. Their holistic preparation gave them an advantage over enemies trained only in their dominant hand.

I hate to push a metaphor too far, but I suspect that many of our current failures in connecting faith and culture suffer from a similar ‘single-handed’ myopia. Few institutions in modern society prepare men and women for holistic approaches to life. Filmmaking, sports, and academic careers demand single-minded focus from an early age. Our parents and teachers recognize our ‘dominant’ traits when we are quite young and set us on a path that  all but guarantees we become proficient in a very narrow range of human experience.

This one-handed approach is perhaps even most pronounced in the realms of faith formation and culture making. Educational institutions, churches, and the filmmaking communities all long to shape society for good, but often from drastically different perspectives.  Our common desire to influence the world, devoid of any common understanding of one another’s perspectives often leads to the kind of demonizing and scapegoating predicted by thinkers such as René Girard. The most striking lesson of Sue and my five-year missionary journey to Hollywood is the depth of heartache in our most talented filmmakers of faith because of the rejection and misunderstanding they experience in their interactions with faith communities and faith leaders.

Faith-Formation AND Culture-Making

This tension often spills over into our leadership roles as well. Leaders adept at culture making—whether in Hollywood or the Ivy League—are rarely trained in the disciplines of faith building. Leaders skilled in faith formation—whether in a local congregation or an international relief agency—are rarely trained in the art of culture making. It is my firm belief that this dichotomy not only creates glaring blind spots in our leadership, it also robs us of a vibrant conversation with other leaders from whom we have the most to learn.

For leaders interested in effecting broad societal transformation, this dichotomy is even more devastating. Like Inigo Montoya or David’s army, the ability to fight with either hand is often a matter of life or death. And I am confident that we are facing such a life or death moment for our society. Educators, filmmakers, ministers, may share a common goal. What we lack is a common language for understanding one another’s perspectives. I believe that our only hope for leading our society out of our current cultural dead-end is our willingness to learn one another’s stories and the stories that shape us as a culture.

An Enriching Conversation that Sharpens

Sometimes even the greatest of enemies can become the best of friends
Sometimes even the greatest of enemies can become the best of friends

So I named this website Two Handed Warriors in hope that it would become an ongoing conversation between filmmakers, educators, philanthropists, and faith leaders who aspire to become modern-day versions of the Dread Pirate Roberts devoted to expertise in BOTH faith formation and culture making. Men and women who “understand the times” and therefore know that redefining faith and culture one story at a time is our best hope for accomplishing our respective missions. Three years into this project I feel as if we are only just beginning to understand one another… but it’s a promising start.

This is especially true for Sue and I. My friendships with filmmakers have transformed me in ways I could never have imagined.  Their stories (those they live and those they tell) are so radically different from those of any college educator or spiritual formation professional I know, they help me see life from radically different perspectives.  And my students in the university can tell the difference. I have used Academy Award-winning films in my teaching for over 20 years. Now, I cringe when I think of how poorly I understood what I was teaching.  Not that I’m an expert now, but the new depth of understanding into story I’ve gained in Hollywood has taken my teaching in spiritual formation and theology (two disciplines rooted in story) to an entirely new level. One of my students recently wrote me:

“[W]hat you are doing with this class is phenomenal. I don’t think I have ever looked as deeply into myself as I did for your course.  It gave me an entirely different perspective of movies and a greater understanding of their underlying worldview. Thank you for the soul-searching this course has awoken in me. God truly does send us guides through unusual mediums.”

Reimagining faith and culture one friendship at a time

None of this would have been possible without patient conversations with the brave women and men in the film and television industry. They have been my guides on this awkward journey of learning to fight with my ‘left hand.’  I will never come close to mastering culture-making as they have, but I am now convinced me that I need to stay in conversation with those can. Together, we are slowly beginning to reimagine faith and culture one friendship at a time. And I want to broaden that conversation no matter how awkward and uncomfortable it is.

King David’s son, Solomon, grew up in a warrior’s household. He learned first-hand that swordsmen attain mastery only where sparks fly. He later write, “As iron sharpens iron, so one friend sharpens another” (Proverbs 27:17). My dream is that in helping each other master the art of two-handed swordplay we will not only foster transformational films, schools, and congregations, we will also continue to forge lifelong friendships.

En garde!

 

The-Princess-Bride-inigo

 

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Notes

[1] Reiner, Rob, William Goldman, Andrew Scheinman, Cary Elwes, Mandy Patinkin, Chris Sarandon, Christopher Guest, et al. 2001. The princess bride. Santa Monica, Calif: MGM Home Entertainment.

[2] Osborne, Barrie, Fran Walsh, Philippa Boyens, Peter Jackson, Elijah Wood, Ian McKellen, Liv Tyler, et al. 2002. The Lord of the rings. The fellowship of the ring. [Los Angeles, CA]: New Line Home Entertainment.