Clare Sera’s BLENDED and Andrea Nasfell’s MOM’S NIGHT OUT highlight the strange dichotomy between ‘Christian’ movies and the rest of Hollywood. The legitimacy and media attention are nice, but is it really a good thing for faith-based filmmaking?
Clare Sera’s BLENDED and Andrea Nasfell’s MOM’S NIGHT OUT highlight the strange dichotomy between ‘Christian’ movies and the rest of Hollywood. The legitimacy and media attention are nice, but is it really a good thing for faith-based filmmaking?