The premier training program for filmmakers of faith pursuing careers in mainstream Hollywood “Act One’s Producing Program understands that apprenticeship is vital in Hollywood. Students are exposed to working producers and executives not only in the classroom, but through hands-on…
Moral Premise Workshop: 21 Secrets to Successful #Story Structure for Motion Picture and Novels, by Stanley Williams The Greenhouse Arts and Media is pleased to present an incredible one day seminar 21 Secrets to Successful Story Structure for Motion Picture and Novels led…
(Note: This interview was conducted before Hard Times‘ cancellation.) I can only hope that Randy Elrod‘s posts on edgy artists helped prepare you for today’s interview with Kevin Chesley, screen and television writer extraordinaire. Kevin’s current assignment is writing for MTV’s…
The Art and Architecture of Hollywood, Villains and a Good Story Well-Told by Ashley Arielle from In Defense of Villainy Poor Mario, it’s a good thing he’s so super, because he has the worst luck. If it’s not his girl getting kidnapped,…
TV and screenwriter Chris Easterly is a graduate of the Act One screen and television writing program and the prestigious Warner Brothers Writers Workshop. He has written for Cartoon Network’s first live-action mystery adventure series Unnatural History, as well the…
Great interview with John David Ware, Founder of the 168 Film Festival ( 3/31-4/2) on the OC Christian Writers Conference website. See also, 168 Film Festival: Illuminating the Word of God through Film . Christian Film-Maker John David Ware, an Interview…
We used to be the generators of intellectual property, not just recyclers of it.
The Oscar winners’ unorthodox, but highly effective approach to screenwriting by Tim Appelo in The Hollywood Reporter.
Most popular Blog Post of the Year–Casablanca and the Four Levels of Worldview: Why Everyone Meets at Rick’s–evoked a solid conversation with screenwriting experts, Jim Hull, Key Payton, and Stanley D. Williams. it was fascinating to see how concepts that my worldview students found helpful really did apply to real live screenwriters.