The Meta-Story and Worldview of many films is discernible from little more than their first and final shots. Don’t believe it? Watch this video!
Master Shots: First and Final Frames of 55 Films Side-by-Side, by Jacob T. Swinney

Tonight the Academy of Motion Picture Arts and Sciences will award the 2015 Best Picture, yet the academy missed most of these “Deep Culture” Impact films. Will this year’s winner one day join this august company?
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Odds are Brad Pitt and the TWELVE YEAR’S A SLAVE producing team will win best picture Sunday night. Yet history reveals that, when it comes to picking a film that will be recognized as truly great twelve years from now, Oscar voters often miss the mark.
Sunday’s Academy Awards show seeks to honor this year’s greatest film, yet history reveals that Oscar voters often miss the mark.
Nearly two decades of using film to teach worldview to undergraduate students has resulted in a few surprises in which films have had the deepest cultural impact upon a generation.
The public-relations-driven, artistically myopic, and sometime overtly political nature of both the studios and the Academy of Motion Picture Arts and Sciences often make Oscars an unreliable measure of true greatness.
We used to be the generators of intellectual property, not just recyclers of it.