“A writer for Emmy magazine is on the phone for you.”
I thought our PR director was pulling my leg. College professors don’t get calls from Emmy magazine; not even when they’re moonlighting in Hollywood. As Executive Director of Act One, a community of Christian entertainment industry professionals seeking to equip aspiring content creators to enter mainstream Hollywood, we were completely unknown in Tinseltown. Even though Act One had graduates writing, producing, and directing numerous TV shows and more than a few feature films, the entertainment industry press had never called our offices before.
Kurt Schemper changed all that. A producer for A&E’s critically acclaimed reality program, Intervention, Kurt had just become the first Act One graduate to win a prime time Emmy Award. The writer on the phone, Libby Slate, was fascinated by Kurt’s connection to a Hollywood Christian community. But, what really impressed Libby was how the Act One community had lived out our faith by rallying to aid former staff member Rosario Rodriguez after her gang-related shooting near Libby’s home. (Read story here.)
Libby wanted to know if Emmy could do an article highlighting Kurt and Act One’s unique mission in Hollywood. Kurt and I readily agreed, and director Korey Scott Pollard (House, Grey’s Anatomy, Monk, Nashville, Rizzoli and Isles, Lie to Me, The Middle, Jack Ryan) signed on to represent the Act One faculty perspective.
As Kurt, Korey and I prepared for our interview, Korey pushed for us to be ‘really ready’ to express exactly what we wanted to say. Our conversations turned to how difficult it is to thrive spiritually in Hollywood, and interviewer Libby Slate graciously picked up on this theme.
In the course of our conversations Kurt mentioned that one of his college professors at Judson College encouraged him to pursue his calling to Hollywood by quoting Frederick Buechner:
“The place God calls you to is the place where your deep gladness and the world’s deep hunger meet.”
Kurt’s response was, “My deep gladness is Jesus. The entertainment industry is no different than any other place with lonely people searching for gladness.”
The idea of finding “deep gladness” in Hollywood really resonated with me, especially as I contemplated what a “soul-deadening” place Hollywood can be for many industry insiders. So in my interview, I told Emmy, “We’ve found that the spirituality taught by Jesus is an ideal starting place for guiding industry professionals on a soul-nourishing spiritual journey.”
That language resonated with Emmy readers as well, and soon opened doors all over Hollywood. Now it leads to this new series entitled, “Soul-nourishing Practices for a Soul-deadening world: Finding the Voice of Your Own Gladness in Hollywood and Beyond.”
My hope is that these posts will help filmmakers, educators and other culture makers find their own “deep gladness” through the soul-nurturing practices Jesus taught his first followers over 20 centuries ago. Not mere religious practices targeted at greater self-righteousness, but spiritual practices targeted at nurturing a deeper connection to God.
We officially launched the series earlier, but today I thought you might want to read the original Emmy article. (I couldn’t figure out how to post it directly, so you’ll have to download the article as a pdf.) Enjoy!
Ralph Winter is a Hollywood film producer who has helped to produce blockbuster movies such as the X-Men, Fantastic Four and Star Trek series as well as “The Giver” and the first remake of “Planet of the Apes.”
Last year, a writer approached me with a screenplay, asking me to help him get his film made. Fair enough. But I made it clear that our company, Cooke Pictures is not a funding company in a position to finance films. He said fine. Then I read the screenplay and realized pretty quickly it wasn’t something I was interested in, so I kindly told him thanks, but we weren’t interested at this time.
At that point, he unleashed some pretty nasty things, and followed up with an email. He wrote that if I was a REAL Christian, I’d get off my duff and help him get the movie made. He said I was obviously shallow, and couldn’t recognize great writing – or God’s hand on the project – plus, I was a hypocrite (among a few other choice things.)
It was a very interesting email to say the least, but I chose not to respond.
Now – a year or so later, I get a call from a friend who happens to be a significant film producer. This guy has the clout and money to get films made. He tells me he has an appointment set up with this writer I’d met a year ago and is curious if I know him or have an opinion about his project.
I didn’t have to say a thing.
All I did was pull out the guy’s email and share it with the producer and that pretty much said everything. My producer friend immediately cancelled the meeting, and has no interest in this writer or his projects.
Note what nailed this writer: It wasn’t me or my opinion, it was his own words. Remember that the moment you hit “send” on an email, you’ve lost control of it. In that moment of frustration or anger, what you write will live on – and it will be in someone else’s hands.
Don’t let your email trail come back to haunt you.
Ever had a similar experience?
Phil Cooke has produced media programming in more than 50 countries around the world, and in the process, been shot at, survived two military coups, fell out of a helicopter, and in Africa, been threatened with prison.
And during that time, he’s helped some of the largest non-profit organizations in the world navigate periods of dramatic disruption and change.
USC researchers focused on the 100 top box office hits of 2008, evaluating the 4,370 speaking characters and 1,227 above-the-line personnel in these films. The study revealed that, despite Hollywood lip service to the contrary, the industry is still characterized by staggering gender inequality. In the 5,000 most influential roles of 2008, men outnumbered women nearly five-to-one.
Onscreen, only 32.8 percent of speaking characters in the top 2008 films were female. Rather than a one-year anomaly, researchers determined that 2008’s two-to-one ratio was actually the “highest percentage of females in film we have witnessed across multiple studies.”
The situation behind the camera was even worse. Astonishingly, only “8% of directors, 13.6% of writers, and 19.1% of producers are female.” (See chart below).
McKay notes: “Given that both men and women are talented and have a voice in this world, I’d like to see those ratios even out in the film industry.”
Lack of Leadership Leads to Lack of Female Roles and Opportunities
The study also indicated a significant relationship between these two levels of inequality. Lack of female leadership positions behind the screen contributes to the lack of women onscreen (as well as the overt sexualization of those who do appear). Conversely, increased female creative leadership leads to increased female roles. “(T)he percentage of female characters jumps 14.3% when one or more female screenwriters were involved in penning the script.”
The USC Annenberg researchers Stacy Smith and Marc Choueiti concluded: “Our findings reveal that motion picture content is sending… consistent and troubling messages… that females are of lesser value than are males. This is evidenced by their on screen presence and the lack of employment opportunities behind-the‐camera.”
McKay Price concludes: “Nobody knows a woman like a woman. We should get to write, direct and produce for ourselves more than we apparently do. Where do I sign up to help make a change?”
Prolific writer-producer Brian Bird is co-founder of Believe Pictures(with Michael Landon, Jr.) with the mission of developing and producing “high quality, entertaining, and life-and-faith-affirming, films and television depicting positive images and compelling moral stories.” Bird and Landon wrote and produced two novel inspired films for Fox and they are currently writing and/or producing three films: When Calls the Heart, Deep in the Heart, and The Shunning (Premiering this Saturday, April 16, on the Hallmark Channel at 9pm/8pm Central).
Brian also writing a separate screenplay for the Fox Searchlight film, Captive, the true story of Ashley Smith and the Atlanta hostage crisis from 2005. He will also produce the film along with Ken Wales and Ralph Winter.
Previously, Bird served as Co-Executive Producer and senior writer for four seasons on the series Touched By An Angeland his TV writing/producing credits include more than 250 episodes of Touched By an Angel, Evening Shade, Step by Step, and The Family Man, as well as numerous TV and feature films. His script Call Me Claus was the highest rated cable film of 2002. Brian also wrote and co-produced Tri-Star’s 2009 film Not Easily Broken.
On a more personal note, I have met few Hollywood filmmakers with as great a commitment to personal mentoring as Brian. As an official mentor in the Act One program and the Visual Story Network, as well as an unofficial mentor throughout the industry, Brian has distinguished himself in his willingness to invest in the lives of young writers and producers.
In celebration of the premier of The Shunning this Saturday (Hallmark, 9pm/ 8pm CDT), I asked Brian a few questions about the film, about the greatest influencers in his life, and about origin of his incredible commitment to mentoring.
Interview with Writer-Producer Brian Bird
GDS: What excites you most about the film?
Brian Bird: One reason is because I think we have very faithfully recreated both the world of the Amish, and one of Beverly Lewis‘ most important novels.
GDS: Do you think people will relate to a film set in such an “other” world?
BB: Absolutely, even though the storytelling is set among the Amish, I think it’s a very universal tale that all families can relate to because it deals with how we try to pass along our values to our children, and how they have to choose the values they are going to live with.
GDS: Any personal stake in the film?
BB: Well, The Shunning makes a very important statement about the theme of adoption — which is very significant to me as an adoptive father of two daughters. That statement is this: love is thicker than blood when it comes to our family relationships.
GDS: Let’s talk about people who have influenced who you are and your career as a filmmaker. First, an easy one, what films have influenced you most?
BB: Let’s see, Horton Foote (To Kill a Mockingbird)—whose screenplays taught me that plot and character are intertwined and always default to character if you have a choice. William Goldman (Butch Cassidy and the Sundance Kid)—whose body of work as a screenwriter taught me that you have to know the rules in order to break them.
Also, Robert Bolt (A Man for All Seasons)—whose screenplay taught me about striving to be epic in my writing. And then there’s Tony Gilroy (The Bourne Identity series)—whose screenplays taught me to strive to be taut in my writing.
GDS: Any other kinds of writers influence you?
BB: Well, C.S. Lewis was formidable in shaping my worldview, and Francis Schaeffer formidable in shaping my ideas about art and its influence on culture. Oh, and also Gabriel Garcia-Marquez, who helped me understand that great literature should take the reader’s breath away. Of course, there is also the Bible, which has been an uber-influencer for me.
GDS: Any others?
BB: I’ve had some very significant mentors.
GDS: Like who?
BB: Well, in no particular order, there is Ted Smythe, Mass Media Professor Cal State University, Fullerton, who told me not to be afraid of ideas outside my worldview because in the marketplace of ideas, truth always rises to the top.
Don Ingalls, legendary TV writer-producer, great-uncle, who gave me my first network TV writing assignment and told me nepotism can open a door, but skills have to keep it open.
Morgan Freeman, legendary actor who directed my first feature film (Bopha), told me that there is only one race of people — the human race — and two kinds of people: good ones and bad ones.
Rick Warren, my pastor, who told me not to preach in my writing, but just to ask great questions.
GDS: Did any of them influence how you approached The Shunning?
BB: (Laughs) All of them, but maybe especially Michael Warren, because of what I just mentioned. When he gave me one of my first opportunities in show business he made me promise to leave the door open for others behind me.
GDS: How did you do that in The Shunning?
BB: I chose to give a newer, younger writer an opportunity to write this film rather than writing it myself. We hired Chris Easterly—a graduate of Act One’s screenwriting program who had served faithfully as a writer’s assistant on Touched By An Angel—to write the teleplay for this film, and he knocked it out of the park.
GDS: Isn’t that taking quite a risk on behalf of a younger “unproven” writer?
BB: It wasn’t charity on our part. We needed somebody with some real writing chops to do this work, and Chris showed himself approved. I left the door open for a very gifted young man in the same way Michael Warren left the door open for me in 1990.
GDS: So you’re leaving a legacy?
BB: That is certainly my intention. And I know that Chris will do the same thing for somebody else when he comes into his Showbiz kingdom.
Don’t miss The Shunning: Saturday (April 16): The Hallmark Channel at 9pm (8pm Central).
Follow Brian: On his blog: BrianBird.net: The Art of Story, The Craft of Screenwriting and More, or on Twitter: @brbird.
Other Two Handed Warrior TV Writer and Filmmakers: