All-Time Top Films for Deep Culture Impact

Part four in series: The Oscar “Huh?!” Factor: Why Academy Voters Usually Pick the Wrong Film

Two decades of using film in the classroom has resulted in quite a few surprises in the stories with the deepest cultural impact on this generation.

by Gary David Stratton • Senior Editor

The list below is in no way infallible, but it sure could get a good Oscar weekend conversation going.  (See Deep Culture Impact Films for the ever-evolving DCI criteria.)

Key

Action/Adventure/Western

Comedy/Musical/Animated

Drama

Fantasy/SciFi

Thriller/Horror

* Indicates Academy Award Winner

url-51933  King Kong (F)

1936  Modern Times (C)

1937  Snow White And The Seven Dwarfs (C)

1939  The Wizard of Oz (F)

1939  Mr. Smith Goes to Washington (D)

1939  Gone with the Wind (D)*

1940 Fantasia (C)

1941  Citizen Kane (D)

1943  Casablanca (D)*

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1946  It’s a Wonderful Life (D)

1951  The African Queen (D)

1952  Singin’ In The Rain (C)

1954  Rear Window (T)

1954  On the Waterfront (D)*

1955  Rebel Without a Cause (D)

1954  Seven Samurai (D)

1956  The Ten Commandments (D)

1957  The Bridge on the River Kwai (D)*

20121210051712!Sleeping_beauty_disney1957  12 Angry Men (D)

1958  Vertigo (T)

1959  Ben-Hur (A)*

1959  Sleeping Beauty (C)

1960  Psycho (T)

1961  West Side Story (C)*

1961  101 Dalmatians (C)

1961  Breakfast at Tiffany’s (D)

1962  To Kill a Mockingbird (D)

Screen shot 2013-02-23 at 6.03.20 PM

1962  Lawrence of Arabia (D)*

1964  Mary Poppins (C)

1964  My Fair Lady (C)*

1964  Dr. Strangelove (C)

1964 Goldfinger (A) and the entire Bond franchise, especially 1965 Thunderball (A) and 2006  Casino Royale (A)

1965  The Sound of Music (C)*

1966 The Good, the Bad, and the Ugly (D)

1967  Guess Who’s Coming to Dinner (D)

1967  The Graduate (D)

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1967  The Jungle Book (C)

1968  2001: A Space Odyssey (F)

1969  In the Heat of the Night (D)*

1969  Butch Cassidy and the Sundance Kid (A)

1971  Fiddler on the Roof (C)

1972  The Godfather (D) and 1974 The Godfather 2 (D)

1973  The Exorcist (T)

1973  The Sting (C)*

1973  American Graffiti (D)

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1974  Chinatown (D)*

1975  One Flew Over the Cuckoo’s Nest (D)*

1975  Jaws (F)

1976  Monty Python and the Holy Grail (C)

1976  Rocky (D),* as well as 2006 Rocky Balboa (D) and 2015 Creed (D)

1976  Taxi Driver (D)

1977  Star Wars: A New Hope (F) and 1980 The Empire Strikes Back (F)

1977  Annie Hall (C)*

raiders_of_the_lost_ark_ver1_xlg1978  National Lampoon’s Animal House (C)

1979  Apocalypse Now (D)

1979  Alien (F) and even better 1986 Aliens (F)

1980  Raging Bull (D)

1981  Raiders of the Lost Ark (A) and 1989 Indiana Jones and the Last Crusade (A)

1981  Chariots of Fire (D)*

1982  Blade Runner (T)

1982  Tootsie (C)

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1982  E. T. The Extra-Terrestrial (F)

1984  Amadeus (D)*

1984  Beverly Hills Cop (C)

1984  Ghostbusters (C)

1985 The Breakfast Club (D)

1985  Back to the Future (C)

1985  The Color Purple (D)

1986  Top Gun (A)

1986  Star Trek IV: The Voyage Home (F)  The best of the highly influential franchise… so far. (J.J. Abrams could change that.)

schindlers_list

1986  Ferris Bueller’s Day Off  (C)

1987  The Princess Bride (C)

1988  Rain Man (D)*

1989  Dead Poets Society (D)

1989  Field of Dreams (F)

1989  Do the Right Thing (D)

1989  Driving Miss Daisy (D)*

1990  Dances with Wolves (D)*

1990  Pretty Woman (D)

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1991  Terminator 2: Judgment Day (F)

1991  Beauty and the Beast (F)

1991  The Silence of the Lambs (D)*

1992  A Few Good Men (D)

1992  Unforgiven (A)*

1993  Groundhog Day (C)

1993  Jurassic Park (F)

1993  Schindler’s List (D)*

1994  Forrest Gump (D)*

Screenshot 2014-03-02 23.59.401994  Pulp Fiction (D)

1994  Shawshank Redemption (D)

1994  The Lion King (C)

1995  Braveheart (A)*

1995 The Usual Suspects (D)

1995  Toy Story (C) and the entire Toy Story trilogy.

1996  Jerry Maguire (D)

1996  Fargo (D)

1998  Saving Private Ryan (A)

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1996  Independence Day (T)

1997  Men in Black (C)

1997  Good Will Hunting (D)

1997  Titanic (D)*

1998  American History X  (D)

1999  American Beauty (D)*

1999  Fight Club (A)

1999  The Matrix (F)

1999  The Sixth Sense (T)

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2000  Gladiator (A)*

2000 Memento (D)

2001  Shrek (C) and the entire Shrek franchise.

2001  Harry Potter and the Sorcerer’s Stone (F) and the entire Harry Potter series.

2001 Serendipity (C)

2003 The Return of the King (F)* and the rest of The Lord of the Rings Trilogy: 2001 The Fellowship of the Ring (F) and especially 2002 The Two Towers (F).

2003  Finding Nemo (C)

2003  Pirates of the Caribbean: The Curse of the Black Pearl  (A) at least as part of the entire Pirates franchise.

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2004  Spider-Man 2 (F), the entire Spider-Man Trilogy and even the new franchise starting with 2012 The Amazing Spider-Man (F) series.

2004  The Passion of the Christ (D)

2004  Eternal Sunshine of the Spotless Mind (F)

2008  The Dark Knight (F) and the entire Dark Knight trilogy is definitely going to make the DCI list.

 

Films on the Deeper Culture Impact ‘watch list’

I suspect many of these movies will prove to be DCI films, but it is still too early to tell. 

2005  Crash (D)*

2006  The Departed (D)*

2012  The Avengers (F) and the entire Marvel Avengers franchise, especially 2008 IronScreen shot 2013-02-24 at 12.58.13 PM
Man (F), 2013 Iron Man 3 (F), and 2011 Thor (F)

2007  No Country for Old Men (D)*

2007  Juno (D)

2008  Slumdog Millionaire (D)*

2009  The Hangover (C)

2009  Avatar (F)

2009  The Blind Side (D)

2010 Inception (F)

2011 The Help (D)

2012 Django Unchained (D)12YAS-Poster-Art

2012 Life of Pi (F)

2012 The Hunger Games (F), and and most likely the entire Hunger Games series.

2013 12 Years a Slave (D)*

2013 Frozen (F)

2013 American Hustle (D)

2013 Gravity (D)

2014 American Sniper (D)

2014 Selma (D)

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2014 The Imitation Game (D)

2014 Guardians of the Galaxy (F)

2015 Spotlight (D)*

2015 Inside Out (A)

2016 Zootopia (A)

2016 La La Land (M)

2016 Arrival (F)

* Indicates Academy Award Winner

 

What films did I miss?

100+ All-Time Top ‘Deep Culture Impact’ Films (2014)

Part four in 2014 Oscar Week Series: Twelve Years a Slave to History: Why Academy Voters Often Miss the Real Best Picture.

Two decades of using film in the classroom has resulted in quite a few surprises in the stories with the deepest cultural impact on this generation.

by Gary David Stratton, PhD • Senior Editor

The list below is in no way infallible, but it sure could get a good Oscar weekend conversation going.  (See Deep Culture Impact Films to view my evolving DCI criteria.)

Key: Action/Adventure/Western • Comedy/Musical/Animated • Drama • Fantasy/SciFi • Thriller/Horror

* Indicates Academy Award Winner  – @Indicates NEW for 2014

king-kong-poster1933  King Kong (F)

1936  Modern Times (C)

1937  Snow White And The Seven Dwarfs (C)

1939  The Wizard of Oz (F)

1939  Mr. Smith Goes to Washington (D)

1939  Gone with the Wind (D)*

1940 Fantasia (C)

1941  Citizen Kane (D)

1943  Casablanca (D)*

url-4

1946  It’s a Wonderful Life (D)

1951  The African Queen (D)

1952  Singin’ In The Rain (C)

1954  Rear Window (T)

1954  On the Waterfront (D)*

1955  Rebel Without a Cause (D)

1954  Seven Samurai (D)@

1956  The Ten Commandments (D)

1957  The Bridge on the River Kwai (D)*

20121210051712!Sleeping_beauty_disney1957  12 Angry Men (D)

1958  Vertigo (T)

1959  Ben-Hur (A)*

1959  Sleeping Beauty (C)

1960  Psycho (T)

1961  West Side Story (C)*

1961  101 Dalmatians (C)

1961  Breakfast at Tiffany’s (D)

1962  To Kill a Mockingbird (D)

Screen shot 2013-02-23 at 6.03.20 PM

1962  Lawrence of Arabia (D)*

1964  Mary Poppins (C)

1964  My Fair Lady (C)*

1964  Dr. Strangelove (C)

1964 Goldfinger (A) and the entire Bond franchise, especially 1965 Thunderball (A) and 2006  Casino Royale (A)

1965  The Sound of Music (C)*

1966 The Good, the Bad, and the Ugly (D)

1967  Guess Who’s Coming to Dinner (D)

1967  The Graduate (D)

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1967  The Jungle Book (C)

1968  2001: A Space Odyssey (F)

1969  In the Heat of the Night (D)*

1969  Butch Cassidy and the Sundance Kid (A)

1971  Fiddler on the Roof (C)

1972  The Godfather (D)* and 1974 The Godfather 2 (D)*

1973  The Exorcist (T)

1973  The Sting (C)*

1973  American Graffiti (D)

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1974  Chinatown (D)*

1975  One Flew Over the Cuckoo’s Nest (D)*

1975  Jaws (F)

1976  Monty Python and the Holy Grail (C)

1976  Rocky (D)*

1976  Taxi Driver (D)

1977  Star Wars: A New Hope (F) and 1980 The Empire Strikes Back (F)

1977  Annie Hall (C)*

raiders_of_the_lost_ark_ver1_xlg1978  National Lampoon’s Animal House (C)

1979  Apocalypse Now (D)

1979  Alien (F) and 1986 Aliens (F)

1980  Raging Bull (D)

1981  Raiders of the Lost Ark (A) and 1989 Indiana Jones and the Last Crusade (A)

1981  Chariots of Fire (D)*

1982  Blade Runner (T)

1982  Tootsie (C)

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1982  E. T. The Extra-Terrestrial (F)

1984  Amadeus (D)*

1984  Beverly Hills Cop (C)

1984  Ghostbusters (C)

1985 The Breakfast Club (D)@

1985  Back to the Future (C)

1985  The Color Purple (D)

1986  Top Gun (A)

1986  Star Trek IV: The Voyage Home (F)  The best of the highly influential franchise… so far. (J.J. Abrams could change that.)

schindlers_list

1986  Ferris Bueller’s Day Off  (C)

1987  The Princess Bride (C)

1988  Rain Man (D)*

1989  Dead Poets Society (D)

1989  Field of Dreams (F)

1989  Do the Right Thing (D)

1989  Driving Miss Daisy (D)*

1990  Dances with Wolves (D)*

1990  Pretty Woman (D)

url-9

1991  Terminator 2: Judgment Day (F)

1991  Beauty and the Beast (F)

1991  The Silence of the Lambs (D)*

1992  A Few Good Men (D)

1992  Unforgiven (A)*

1993  Groundhog Day (C)

1993  Jurassic Park (F)

1993  Schindler’s List (D)*

1994  Forrest Gump (D)*

Screenshot 2014-03-02 23.59.401994  Pulp Fiction (D)

1994  Shawshank Redemption (D)

1994  The Lion King (C)

1995  Braveheart (A)*

1995 The Usual Suspects (D) @

1995  Toy Story (C) and the entire Toy Story trilogy.

1996  Jerry Maguire (D)

1996  Fargo (D)

1998  Saving Private Ryan (A)

AmericanBeauty

1996  Independence Day (T)

1997  Men in Black (C)

1997  Good Will Hunting (D)

1997  Titanic (D)*

1998  American History X  (D)

1999  American Beauty (D)*

1999  Fight Club (A)

1999  The Matrix (F)

1999  The Sixth Sense (T)

url-10

2000  Gladiator (A)*

2000 Memento (D)@

2001  Shrek (C) and the entire Shrek franchise.

2001  Harry Potter and the Sorcerer’s Stone (F) and the entire Harry Potter series.

2001 Serendipity (C)@

2003 The Return of the King (F)* and the rest of The Lord of the Rings Trilogy: 2001 The Fellowship of the Ring (F) and 2002 The Two Towers (F). (Okay, it’s only been 11 years since the last LOTR film, but I think it’s safe to say that Peter Jackson’s majestic adaptation of Tolkien’s classic will hit a very high DCI mark. )

 

Films on the Deeper Culture Impact ‘watch list’

Screen shot 2013-02-24 at 12.58.13 PMI suspect many of these films will grow into DCI films, but it is still too early to tell. After all, we have to wait at least twelve years!

2002  My Big Fat Greek Wedding (C)

2002  Spider-Man (F), the entire Spider-Man Trilogy and even the new franchise starting with 2012 The Amazing Spider-Man (F) series.

2003  Pirates of the Caribbean: The Curse of the Black Pearl  (A) at least as part of the entire Pirates franchise.

2003  Finding Nemo (C)

2004  The Passion of the Christ (D)

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2004  Eternal Sunshine of the Spotless Mind (F)2005  Crash (D)*

2005  The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (F) (The weakness of the other completed films in the franchise stands in the way of Chronicles (the movie) having the same high DCI as Lewis’s books.)

2006  The Departed (D)*

2007  No Country for Old Men (D)*

2007  Juno (D) (If the Juno Effect has cultural staying power this could end up being one of the top DCI films of all time.)

2008  The Dark Knight (F) and the entire Dark Knight trilogy is definitely going to make the DCI list.

Inception poster

2008  Slumdog Millionaire (D)*

2009  The Hangover (C)

2009  Avatar (F)

2009  The Blind Side (D)

2010 Scott Pilgrim vs. the World (C)@

2010  Inception (F)

2011  The Help (D)

2011 The Intouchables (D)@

2012  The Avengers (F) and the entire Marvel Avengers franchise, especially 2008 Iron Man (F), 2013 Iron Man 3 (F), 2011 Thor (F), and 2013 Thor II: The Dark World (F)

2012  The Hobbit: An Unexpected Journey and 2013 The Desolation of Smaug (F)

2012 Django Unchained (D)

2012 Life of Pi (F)

2012 The Hunger Games (F), 2013 The Hunger Games: Catching Fire and most likely the entire series.

 

 

Learning from the Best: An Interview with TV and Screenwriter, Chris Easterly

TV and Screenwriter Chris Easterly (Unnatural History, Click Clack Jack, The Shunning)

TV and screenwriter Chris Easterly is a graduate of the Act One screen and television writing program and the prestigious Warner Brothers Writers Workshop. He has written for Cartoon Network’s first live-action mystery adventure series Unnatural History, as well the screenplay for Click Clack Jack, and a new project, The Shunning premiering tomorrow night (Saturday 4/26) on The Hallmark Channel.

Emmy® and Golden Globe Award Nominee Sherry Stringfield and Danielle Panabaker Star in the Hallmark Channel Original Movie Chris adapted from Beverly Lewis’ best-selling novel. The Shunning is the retelling of some of the heartbreaking experiences of Lewis’ maternal grandmother in the Amish Community of the Old Order Mennonite Church.

Chris was given the job of adapting Beverly Lewis' bestseller into a viable screenplay

Executive producers Brian Bird, Michael Landon Jr. and Maura Dunbar selected Chris to write the screenplay for Believe Pictures and Lightworks Pictures. Said Bird, “I chose to give a newer, younger writer an opportunity to write this film… We hired Chris …and he knocked it out of the park.” (See, Opening Doors for Others: An Interview with Brian Bird.)

In celebration of tomorrow night’s premiere of Beverly Lewis’ ‘The Shunning’ I asked Chris a few questions about the film and about the greatest influences on his life and his writing.

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An Interview with TV and screenwriter Chris Easterly

THW: Yesterday Brian Bird told us how he specifically selected you to write the screenplay so he could keep his promise to his mentor, Michael Warren, to open doors for future writers.  What was that like?

According to Executive Producer Brian Bird, Chris' screenplay "hit it out of the park."

Chris Easterly: It was a great experiencing working for both Brian and director Michael Landon, Jr.  They are pros at developing story, so I learned a lot from them.

THW: Like what?

CE: I remember they suggested one scene in particular, and in my naïveté, I thought it might not work.  But after putting it in the script and seeing how it worked in the context of the whole movie, it really packed a strong emotional punch.

THW: What did you take away from that?

CE: (Laughs) It taught me I don’t know as much as I thought, or at least that my instincts aren’t always right!

Madeline L'Engle's 'Walking on Water' shaped Chris' understanding of Faith and Art

THW: Okay, other than Brian and Michael, who are the people who have really influenced you?  Let’s start with books.

CE: Hmmm? Walking on Water: Reflections on Faith and Art, by Madeleine L’Engle, Evangelical is Not Enough, by Thomas Howard; and God’s Fool: The Life and Times of Francis of Assisi, by Julien Green.

THW: Beyond individual books, any authors who have helped you over the years?

CE: Definitely!  Frederick Buechner, and Thomas Merton, in particular.  Also, G.K. Chesterton.

THW: You’re a TV writer, any TV shows really impact you?

CE: Yes, I really like The Shield, and The Wire, but I can think of more movies that actually influenced me: Rainman, Glory, The Empire Strikes Back, and Taxi Driver.

Chris lists an eclectic range of influences from 'Rainman' (1988) to the artist formerly known as 'Prince.'

THW: That’s quite an eclectic list.

CE: There are also musicians like the late Rich Mullins, and even Prince who have helped shape me as an artist.

THW: Any more?

CE: I could go on all day, but that’s enough for now.

THW: Okay, going back to The Shunning, I understand you got to be on set for the film shoot. What was that like?

CE: It was amazing seeing it all come to life.  The local North Carolina crew was exceptionally professional and cool.

THW: Did you enjoy the whole movie “scene”?

CE: Absolutely! It was fun to just loiter on set, behind the video monitor, in the wardrobe trailer, at the craft services table.

With Danielle Panabaker (center) and Emmy Nominee Sherry Stringfield on set, it's too bad we didn't get to see Chris in a cameo with Amish garb and beard.

THW: Any regrets?

CE: I tried to get onscreen as an Amish extra, but they wrapped early that day.  Oh, well. Maybe next time…

THW: I would have loved to see you in Amish garb.

CE: Me too!

-THW

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Don’t miss The Shunning: Saturday (April 16): The Hallmark Channel at 9pm (8pm Central).

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Other Two Handed Warrior TV Writer and Screenwriter Interviews:

Sheryl J. Anderson (Charmed, Flash Gordon, Dave’ World)

Dean Batali (That 70’s Show, Buffy the Vampire Slayer, Hope and Gloria)

Brian Bird (Touched by an Angel, The Shunning, Not Easily Broken)

Kevin Chesley (The Hard Times of RJ Berger)

Jessica Rieder (Leverage, Hawaii Five-O)

Monica Macer (Lost, Prison Break, Teen Wolf)

Michael Warren (Happy Days, Family Matters, Two of a Kind, Step by Step, Perfect Strangers).

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Also:

Chris Easterly on ‘Paparazzi in the Hands of an Angry God’ – Icons of Heroic Celebrity:

Randall Wallace (Braveheart, Secretariat) Speech to President Obama and World Leaders at the National Prayer Breakfast

Fresh story ideas a tough sell in Hollywood, by Nicole Sperling

Joel and Ethan Coen Spill Their Screenwriting Secrets to the Hollywood Reporter

 

All-Time ‘Deep Culture Impact’ Films

Part of 13 series: Hollywood & Higher Education: Teaching Worldview Thru Academy Award-winning Film

I love The King’s Speech, and would vote for it as Best Picture (if  had a vote), but based upon what I’ve learned from past films, I suspect that another film will have greater ‘deep culture’ impact upon the next generation.

by Gary David Stratton, Senior Editor

Nearly two decades of using film to teach worldview to undergraduate students has resulted in a few surprises in which films have had the deepest cultural impact on a generation. (See, High Culture, Pop Culture, What about ‘Deep Culture’?)The list below is in no way infallible, but it sure could get a good conversation going.

Key: A-Action/Adventure, C-Comedy, D-Drama, F-Fantasy/Science Fiction, T-Thriller/Horror, *-Academy Award Winner

1939  The Wizard of Oz (F)

1943  Casablanca(D)*

1946  It’s a Wonderful Life(D)

1954Rear Window (T)

1959  Ben-Hur(D)*

1968  2001: A Space Odyssey (F),

1971 Fiddler on the Roof(M)

1972  The Godfather(D)* and The Godfather 2 (D)*

1973The Exorcist (T)

1973  The Sting (C)*[1]

1974  Chinatown (D)*

1975 One Flew Over the Cuckoo’s Nest (D)*

1975  Jaws(D)

1976Rocky(D)

1977  Star Wars: A New Hope (F) & 1980  The Empire Strikes Back(F)

1979  Alien (T), and 1986 Aliens(T)

1981  Raiders of the Lost Ark(F) and 1989 Indiana Jones and the Last Crusade (F)

1981  Chariots of Fire(D)*

1982  E. T. The Extra-Terrestrial(F)

1982  The Godfather(D)*, and The Godfather 2 (D)*

1984  Amadeus (D)*

1984  Ghostbusters(C)

1986  Star Trek IV: The Voyage Home (F) The of the best highly influential franchise… so far.

1987  The Princess Bride(C)

1989  Dead Poets Society(D)

1990  Dances with Wolves (D)*

1991 Terminator 2: Judgment Day (F)

1991  Beauty and the Beast (F)

1993  Groundhog Day(C)

1993  Schindler’s List (D)

1994  Forrest Gump(D)*

1994  Pulp Fiction (T)

1994  Shawshank Redemption(D)

1994  The Lion King(F)

1995  Braveheart (A)*

1997  Good Will Hunting (D)

1997  Titanic (D)*

1998  Saving Private Ryan(A)

1999  American Beauty (D)*

1999  Fight Club (A)

1999  The Matrix(F)

1999  The Sixth Sense(T)

2000  Gladiator(A)*

2001  The Lord of the Rings Trilogy: The Fellowship of the Ring(F), 2002  The Two Towers (F), and 2003  The Return of the King (F)*

2002  Spider-Man(F)

2004  Eternal Sunshine of the Spotless Mind(F)

2005  Crash (D)*

2008  Slumdog Millionaire(D)*

2008  The Dark Knight (F) and the entire Batman franchise [3]

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And… drum roll please… my pick (educated guess) for which of the TEN films nominated for 2011 Best Picture will have the greatest long-term deep culture impact…

2010  Inception (F)

I love The King’s Speech, and would vote for it as Best Picture (if  had a vote), but based upon what I’ve learned from past films, I suspect that Inception’s imaginative story and evocative images have the best chance of actually shaping “the stories we live by” as a culture.

What films did I miss?

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Next Post in Series: The Blind Side Leading the Blind: Better Faith-Based Filmmaking through Better Stories

 


[1] Probably should be a double mention for Butch Cassidy and the Sundance Kid(1969), since I’m not sure The Sting would have won if voters hadn’t realized they blew it in the first Newman/Redford movie.

[2] Other than perhaps the J.J. Abrams’ updates.

[3] Honorable Mentions: Back to the Future (1985), Field of Dreams (1989), Pretty Woman (1990), A Few Good Men (1992), Jerry Maguire (1996), Independence Day (1996), A Knight’s Tale (2001), The Departed (2006)*, Little Miss Sunshine (2006), Juno(2007), Up in the Air (2009), Avatar(2009), Toy Story 3 and the entire Toy Story trilogy.