The Blind Side is not so much the story of a Christian family who transformed the life of a homeless teenager as much as it is the story of a homeless teenager who transformed the faith of a Christian family
“Wow, I’ve finally met someone who practices but doesn’t preach.” —Sandra Bullock, speaking of Leigh Anne Tuohy, whom Bullock portrayed in her first Oscar-winning performance
In the aftermath of the runaway success of The Blind Side, Hollywood has become more open to Christians’ stories. I don’t mean “Christian” stories, but rather human stories about Christians whose faith has been an element in their facing universal human struggles.
The Blind Side was unlike anything normally accepted by the Church as a “Christian Film.” It is neither an evangelistic message about Leigh Anne Tuohy (Sandra Bullock) witnessing about her faith, nor Michael Oher (Quinton Aaron) coming to faith, nor a missionary appeal for how Christian families should adopt disadvantaged youth, nor a white-washed tale about perfect Christians, living perfect lives, with perfect motives, and everything turning out perfectly.
O, the Humanity!
Instead, it is a very human story about a very human woman whose Christian faith informed and motivated a series of radical decisions that transformed her life, her family, and the young man they adopted. The story is not about her faith, but her faith is clearly part of the story.
This approach works only because The Blind Side wasn’t made like a typical “Christian film.” Although director John Lee Hancock describes himself as a Christian and there are a number of other talented Christians working at Alcon Entertainment who helped guide the project, Hancock made The Blind Side because he thought the story the Tuohys lived was so compelling. Period!
“The fact that the Tuohys are Christians played absolutely no part in me doing it or not doing it…. I mean, let’s be honest, it’s an incredibly charitable act that yields rewards for this family. It would have been an also amazingly charitable act had the Tuohys been atheists. A good deed is a good deed… I thought it was a great story.”
Hancock goes on to explain: “I think that if I set out to do stories based on that (Christianity or even inspiration) then it will probably be like the cart leading the horse… You set out to tell a good story. You don’t do it because there is a deep message involved because the movie is almost always bad when you do that…”
The Future of “Christian” Filmmaking
It is the very humanness of the film that makes it so approachable. Leigh Anne Tuohy is a flawed individual. She is a stubborn control freak, still struggling to stay in control even in the very last scene of the movie. Yet when motivated by her Christian faith Leigh Anne’s flaws propel her to make decisions that few other women would even consider. Her character is complicated (which is why Sandra Bullock won an Academy Award for portraying her), and therefore very compelling. We like her precisely because she represents our highest aspirations and our worst self-sabotaging realities.
Hancock’s approach points toward a compelling future for “Christian” filmmaking in Hollywood — If you live it, they will come (to the theater, that is). Audiences don’t want to watch “Christian” films. They want to see good films about good stories. Compelling stories about real life human beings who overcome tremendous obstacles and who are transformed into better human beings in the process. (See, Casablanca and the Four Levels of Worldview. Crash Goes the Worldview.)
If the story happens to be about someone whose faith informed and motivated their journey then who’s to argue? Their story earned them the right to let their faith be part of the film. (And opened up the “plausibility structure” for audiences accepting that not all Christians are the preachy, bigoted hypocrites so often portrayed by the media.)
In the end, The Blind Side isn’t so much the story of a Christian family who transformed the life of a homeless teenager so much as it is the story of a homeless teenager who transformed the faith of a Christian family: all because one woman made the radical decision to actually live out her faith.
As Sandra Bullock opined about Leigh Anne and the Tuohy family:
“[S]he has no idea the path she’s begun, in terms of adoption and fostering. It’s not been on the forefront of people’s minds. It is on the forefront of my mind every day now when I get up. When I look around I go, ‘Is he, is she, what is their situation?’ And it’s because of this family, and I think what they are going to do for our country in terms of being aware of that is – I don’t think they realize the profound affect that they are going to have…. [Y]ou see this family, they were themselves for no other benefit other than because they wanted to reach out, lend a hand, and had no idea that they would get a son in return… I said, ‘Wow, I’ve finally met someone who practices but doesn’t preach.’ ” (Italics mine.)
In other words, if Christians actually lived better stories then we might have a litany of heroic stories to draw upon and films to make that real people in real theaters actually want to see and A-list actors want to play. Stories about men and women (and teenagers) whose faith motivated and informed their choices to live remarkable lives by making remarkable decisions and overcome remarkable obstacles.
Living a Better Story
Every believer (and not just filmmakers) ought to be asking themselves ‘Am I living the kind of story that, in Donald Miller’s words, “leaves a beautiful feeling even as the credits role”? As Miller discovered in writing his book subtitled How I Learned to Live a Better Story, few Christians are living stories that come remotely close to living out the full implications of their faith.
What story are we writing with our lives? Leigh Anne Tuohy’s story is deeply heroic precisely because her faith motivated her to take action toward the will of God being done on earth as it is in heaven. Will we?
Heaven is looking for heroic stories even more than Hollywood. Will this generation overwhelm the world with stories of very human Christ followers whose faith motivates and informs the heroic lives they live? The world is watching…
Crash, 2006 Academy Award-winner for Best Picture, provides a powerful metaphor for why worldview change is so difficult.Crash follows a stellar ensemble cast through multiple story lines, most of which explore deeper and deeper levels of worldview.It is one of my favorite films for helping students explore “memes” and the “inciting events” that evoke worldview transformation journeys. 
In 1961, literary critic extraordinaire René Girard first introduced the idea that we borrow most of our desires from other people rather than developing our personal desires from scratch. Girard developed his highly influential concept of memetic borrowing throughout his long career, branching out from literary theory into theology, philosophy, and psychology. (See René Girard: The Greatest Christian Intellectual You Never Heard of.) 
Then in 1976, Oxford zoologist Richard Dawkins made the idea of memetic borrowing more palpable when he coined the term meme (short for the Greek root of “imitate”) to convey the idea of a single “unit of cultural transmission, or a unit of imitation”(in the same way that a gene is a unit of biological transmission.) In Dawkins’ memetic theory, memes jump from “brain to brain via a process which, in the broad sense, can be called imitation” (p. 192). Since Dawkins’ initial publication, the field of Memetics has grown both in influence (it helped birth the idea of “viral marketing”) as well as skepticism as to its value as a theory of cultural evolution.
Staying on Script
The concept of memes is a useful interpretive key for helping for understanding why our worldview is so resistant to change. As memetics proponent Susan Blackmore explains, “Everything that is passed from person to person (by imitation) is a meme. This includes all the words in your vocabulary, the stories you know, the skills and habits you have picked up from others, the games you like to play, the songs you sing and the rules you obey.” 
In other words, like actors in a screenplay, we all follow “scripts” provided for us largely from outside of our own self-awareness. (Think of the role of “Tradition” in Fiddler on the Roof.) If imitation is the highest form of flattery, then we are constantly flattering the individuals and communities who have transmitted their “scripts” to us. Our worldview is so deeply rooted within us that we glide through thousands of “preconditioned” decisions each hour, following the cultural and philosophical scripts provided for us by the stories that have shaped us. We simply do what we do without giving a great deal thought as to why we do it. (See, Casablanca and the Four Levels of Worldview.)
These “scripts” exert such a powerful influence on our daily lives that it normally takes a significant “crash” to reexamine them. These crashes—unexpected events or decisions, often called “inciting events”–are a common devise in nearly all (good) films, but they are particularly evident in Crash. Writer/Director Paul Haggis predicates Crash on the simple premise that no one in Los Angeles deviates from the script of their daily “commute” without a crash.
In the words of Crash’s narrator, Det. Graham Waters (Don Cheadle):
WATERS: In L.A., nobody touches you. We're always behind
this metal and glass. I think we miss that touch so much,
that we crash into each other, just so we can feel something. .
Officer Ryan’s Scripts
One notable story line traces the interplay between LAPD Officer Dan Ryan (Matt Dillon), and socialite Christine Thayer (Thandie Newton). In one of the film’s early scenes, Officer Ryan gropes Christine in a racially motivated traffic stop. Later, he heroically risks his own life to save Christine from a burning car. In each case, he is unreflectively following “scripts” (memes) transmitted to him by the best and the worst of police culture. Only the “crash” of a life-and-death encounter with Christine jolts him into a completely new script of tolerance and understanding.
Ryan’s first “script” is rooted in the story of his father’s relationship with the African-American community. As a young man Ryan watched his father dare to treat his African-American employees with dignity only to lose his business to the city’s affirmative action policies. Now, his father suffers in agony from what Ryan fears is prostate cancer, and the one person standing between him and the specialist he needs is a no-nonsense African-American insurance adjustor named Shaniqua Johnson (Loretta Devine).
RYAN: I'm not asking you to help me. I'm asking that you
do this small thing for a man who lost everything so people
like yourself could reap the benefits. And do you know what
it's gonna cost you? Nothing. Just a flick of your pen.
SHANIQUA: Your father sounds like a good man. And if he'd
come in here today, I probably would've approved this request.
But he didn't come in. You did. And for his sake,
it's a real shame!
[To security guard.] Get him the hell outta my office!
Dan’s frustration creates unstated presuppositions of injustice, anger and retaliation against all blacks that are only reinforced by the worst elements (memes) of LAPD culture. Dan never examines the cultural, philosophical, or mythical basis of his decision. He never asks how his father’s story, and the “racist meme” in LAPD culture shape his actions. He simply acts. With horrific brutality, he uses his power as a police officer to abuse Christine.
In an instant, Christine’s life is shattered. Now part of Officer Ryan’s story of racism has deeply impacted Christine‘s story. His actions fill her with unspeakable anguish. Her personal life disintegrates in anger and confusion. Her relationship with her husband, Hollywood director Cameron Thayer (Terrence Howard) begins to spiral out of control as she begins to act out a “reverse racism script” she barely understands, but which her husband knows all too well.
CAMERON: You need to calm down here.
CHRISTINE: No, what I need is a husband who won't just stand
there while I'm being molested!
CAMERON: They were cops! They had guns! Where do you think
you're living, with mommy and daddy in Greenwich?
CHRISTINE: --Go to hell.
Ryan and Christine’s new scripts begin with a crash (literally). Christine’s SUV crashes and flips. Gasoline spills everywhere. She is trapped in a burning car with a malfunctioning seatbelt and no hope of escape. No hope, that is, except Officer Dan Ryan. First to arrive on the scene, Ryan quickly springs into action following the hero script written for him (the meme transmitted to him) by the best of LAPD culture.
Then comes the real crash. Christine and Ryan face each other in an inferno that threatens both their lives. Christine suddenly recognizes Ryan and responds according to the script provided by the personal, cultural, philosophical presuppositions of her story. Despite the approaching flames, she refuses Officer Ryan’s frantic attempts to help her.
RYAN: Lady! I’m trying to help you!
CHRISTINE: #&$% you! Not you! Not you!
Somebody else! Not you!
Momentarily confused, Dan suddenly recognizes Christine, not just what she is, but who she is, that she too has a story separate from his. The screenplay reads, “Ryan looks into her face and sees her pain and humiliation, and knows he was the cause of it.” His worldview begins to shift.
Full of shame, he begins to treat Christine with the dignity and respect he never afforded her in the ill-fated traffic stop. But to no avail. As the flames envelope the car, it is obvious that there is nothing to be done for Christine. Ryan’s partner begins to pull him to safety before it’s too late. The secret that could ruin Ryan’s life will die with Christine.
Suddenly, against all odds, Ryan completely rejects his racist script (meme) and fully embraces his heroic script. Kicking off his partner he dives back into the burning car, risking his life to save the same woman whose life he so carelessly degraded just a few days earlier.
Against even greater odds, Christine rejects her hatred script and accepts help from the man she has hated with archetypal passion. Her worldview shifts as she accepts his now dignified help and heroic rescue. Everything they thought about one another is changed in an instant; everything they thought about themselves is changing as well. As they weep together in a rescuers embrace both characters hover at the edge of transformation.
CHRISTINE throws one look back over her shoulder –
hate filled with fear and gratitude.
RYAN watches her, equally confused, overwhelmed
and embarrassed by his feelings.
As the scene ends it is clear that Ryan and Christine have each entered a new story–a story that will alter their future value and belief system, personal practices, and decisions. Their scripts (memes) change because they crashed into each other’s stories with sufficient force to jolt them out of their culturally transmitted roles. Christine returns home to reconciliation with Cameron (who has been in his own transformation journey). Ryan returns home and begins to treat his father with a new tenderness and dignity.
Snowfall in L.A.
Paul Haggis’ masterpiece, concludes with the most unlikely crash of all—a once-a-century snowfall in Los Angeles. The snow is as unimaginable as a worldview shift. It is also symbolic. For decades, snowfall has served as a favorite Hollywood metaphor for “something is changing.”
As the audience considers this final image, they are challenged with the questions:“Will we continue gliding through the thousands of “preconditioned” decisions we make each day, or will the “Crash” of this movie cause us to reexamine them deeper levels? Will we dare to change?”
And as we rise we see the twisted chaos of the intersection,
the cars and people and the (now freed) Illegals disappearing into the maw of the churning city.
And it starts to snow.
 Paul Haggis, Cathy Schulman, Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, William Fichtner, and Brendan Fraser. Crash. (Santa Monica, Calif: Lions Gate Entertainment, 2005). All quotations from, Crash. Story by Paul Haggis; Screenplay by Paul Haggis, and Robert Moresco. (Bob Yari Productions, Bull’s Eye Productions, Blackfriar’s Bridge & the Harris Company, 2004).
 Susan J. Blackmore, The meme machine (Oxford: Oxford University Press, 1999), p. 16. “So, for example, whenever you drive on the left (or the right!), eat curry with lager or pizza and coke, whistle the theme tune from Neighbours or even shake hands, you are dealing in memes. Each of these memes has evolved in its own unique way with its own history, but each of them is using your behaviour to get itself copied” (p. 16).
Stress: The confusion created when one’s mind overrides the body’s basic desire to choke the living daylights out of some jerk who desperately deserves it.
A pang of conscience shudders through my body as I drop the helpless mouse into the terrarium with our two juvenile ball pythons. I know snakes need to eat. But this a really rotten deal for the mouse.
My pre-teen sons have no such qualms. They want front-row seats to this Nature Channel style apocalypse. Watching Valentine and Sweetie (yes, the women of the family named them) hunt their elusive prey is precisely why they begged us to buy them in the first place.
But it’s not to be.
You’d think that a tiny mouse suddenly confronted with a pair of hungry snakes would do everything within its power to find a way out the cage. Not so. The moment the mouse sees the snake, he freezes. Then he exhibits the last behavior you would ever expect—he starts washing himself!
Adrenaline Induced Psychosis
You read that right. Stuck between his adrenal system’s “fight” or “flight” responses, the mouse’s only solution is to do neither. Instead, he tries to comfort himself with soothing behaviors that feel normal–like giving yourself a good lick bath.
What’s worse (or more hilarious, depending upon your point of view), as the adrenaline builds in the mouse’s system he begins to cycle through his behavior in tighter intervals. As the snake moves closer and closer, the mouse begins washing himself faster and faster.
By the time the snake is inches away, the mouse is moving at such a frenetic pace he looks like a DVD on fast-forward. With a climactic SNAP of teeth and coils (and anguished squeaks), the “hunt” is over.
My boys cheer. My daughter wretches. I am silent… I have seen this behavior before. In fact, it is my behavior (and that of nearly every human being I have ever met) in High Stress Environments (HSE).
Creativity, Scholarship, Leadership and Adrenaline
Contrary to popular belief, the most commonly abused drug in high stress environments like Hollywood, the Ivy League, and Wall Street is not cocaine: it’s adrenaline.
Like the mouse in our snake terrarium, the closer we get to allowing our work to consume us, the faster and faster we move. As the adrenaline builds in our system we begin to comfort ourselves with the lifelong habits that feel normal and comforting to us. Normal, that is, until the SNAP of teeth and crush of coils engulfs our soul.
I suspect this is the hidden causation behind Hollywood’s abysmal record of drug overdoses, wild-child stars, alcoholism, failed relationship, sketchy ethics, and rampant narcissism. As psychologist Archibald D. Hart warns:
“People who are caught up in the pursuit of excellence are particularly vulnerable to stress-related disorders.” 
Scholarship and ministry can be just as bad. A recent study discovered that there is a direct relationship between a successful academic career and an unhappy family life. And, have you seen the numbers on divorce and unhappy children in pastoral families? Ouch!
Ancient Solutions for a Modern Curse
Before we blame our modern condition (which certainly doesn’t make things any easier) let’s admit that our situation is not as unique as we would like to believe. Our high stress environment is extremely similar to the conditions Jesus of Nazareth learned how to handle over 2,000 years ago.
Like a modern filmmaker, Jesus faced enormous crowds demanding food and spectacle, in full view of national leadership calling for his head.
Like a contemporary academic, Jesus had to balance a rigorous teaching schedule, with scholarly production that was “peer-reviewed” daily by the greatest minds in higher education.
Like a post-modern pastor, Jesus woke long before first light and worked deep into hours of the night comforting, healing, and challenging his followers.
On at least one occasion he was so exhausted he actually fell asleep onboard a small boat in the middle of a thunderstorm!
Yup, Jesus knew a thing or two about stress.
Yet through it all, Jesus was somehow able to develop a remarkably resilient and even tranquil inner life.
No matter how close the snake approached, Jesus managed to never succumb to adrenaline induced psychosis. He could not be tricked into performing miracles for his demanding followers. He could not be trapped into unwinnable arguments by his academic foes.
He could not be persuaded to stay when it was time for him to go. He could not be persuaded to go while he still had reason to stay. He could not be run out-of-town even when his life was threatened.
How did he accomplish this amazing feat? By exhibiting the exact opposite behavior of a mouse in a high stress environment. Luke records that “As the news about him spread all the more and greater and greater crowds came to hear him and be healed,” Jesus responded, not with faster and faster work habits, but by “often withdrawing to lonely places to pray” (Luke 5:15-16).
In fact, Luke records no less than ten specific occasions when Jesus pulled away from his demanding schedule to pray in solitude. Jesus did not give in to stress-related behavior because he could not be pushed off his discipline of spending quiet hours alone in prayer and meditation–even if he had to rise early or stay up late to do it.
Defeat Adrenaline and you Defeat the Snake
Jesus’ soul-nourishing practices helped him learn to consistently listen for the voice of his heavenly Father. Over time they acutely tuned his spiritual senses to discern the heavenly direction needed for each day. In solitude he learned the truth that, “Man does not live by bread alone, but by every word that proceeds from the mouth of God” (Luke 4:4). It was a lesson that saved him in his greatest hour of need.
Faced with a direct frontal assault from the greatest snake of all–Satan–Jesus was ready. The high stress environment of 40 days in the wilderness provided Satan with the perfect opportunity to consume Jesus. His attack focused on the normal litany of adrenaline-induced coping mechanisms that had worked so effectively in other leaders.
But instead of comforting himself with food, fame, or power, the rigor of Jesus’ spiritual disciplines had prepared him to face and defeat his adversary. Jesus had spent half a lifetime preparing for this moment. In secret, he had acquired an arsenal of the right memorized Scripture to parry each ‘fiery dart’ of temptation, and the strength of character to wield that knowledge effectively.
With a climactic SNAP of teeth and coils, the hunt is over. Only this time the anguished squeaks come not from the prey, but from the snake.
Learning from the Master
Can ‘normal’ people learn to use this same strategy? Jesus certainly thought so. He wasn’t satisfied with his own ability to thrive in high stress environments. His mission was to teach his followers how to arrange their lives in a such a way that they too could learn to thrive.
But first he first had to teach them why we normally fail…
“People who are caught up in the pursuit of excellence are particularly vulnerable to stress-related disorders.” – Psychologist Archibald D. Hart
Tabloids love it when a celebrity ‘lose it’ in public. Nothing sells quite as well a fallen “hero.’ And fortunately for the tabloids, losing it is a common occurrence. In recent years Quentin Tarantino, Billy Bob Thornton, Mel Gibson, Justin Bieber, Brittany Spears, Charlie Sheen, Tom Cruise, Kanye West have each provided ample fodder to guarantee tabloid clicks stay high.
Still, the truth is, sooner or later, everyone loses it. Only most of us don’t have paparazzi stalking us night and day to chronicle our worst moments. What if we did? High stress environments tend to bring out the worst in us, whether you’re a filmmakers, academic, businesswoman, salesman, or church leader. The question is why?
One explanation is the worldview concept of ‘story failure.’ A famous episode from the life of Jesus highlights just how easy it is for even the most earnest spiritual seeker to lose it and why it happens so easily.
As Jesus and his disciples were on their way, he came to a village where a woman named Martha opened her home to him. She had a sister called Mary, who sat at the Lord’s feet listening to what he said. But Martha was distracted by all the preparations that had to be made. She came to him and asked, “Lord, don’t you care that my sister has left me to do the work by myself? Tell her to help me!”
“Martha, Martha,” the Lord answered, “you are worried and upset about many things,but few things are needed—really only one. Mary has chosen what is better, and it will not be taken away from her. (Luke 10:38-42)
A Tale of Two Spiritualities
Having such a great “celebrity” under your roof is a great honor, but it also carries tremendous responsibility. It places the reputation of the entire village squarely on the shoulders of these two apparently unmarried women. The eyes of every (married) homemaker in town bears down on them to scrutinize the quality of the hospitality they provide.
It is a high stress environment to say the least. And as the “snake” of the dinner hour grew closer and closer, the difference between Mary and Martha’s responses to stress begin to emerge.
Mary immediately seizes the opportunity of having Jesus in her living room. In other settings she would have to defer to the cultural practice of “men only” preferred seating. But they’re in her house now. Mary pushes past the other guests, and plops herself down at her master’s feet. She wants to catch very word that falls from his lips.
Martha is no less committed to Jesus. However, her way of showing her commitment reveals the presence of a profound story failure functioning in her life. We don’t know why an unmarried Martha is running her own household while caring for her younger siblings, but it is a very unusual living situation in the first century Jewish world. It almost certainly involves difficult and painful circumstances. The untimely death of her parents, her husband, and perhaps Mary’s husband as well are all likely explanations. No matter how you cut it, it is not a happy story and it is a story that appears to have shaped her inner life.
We don’t know all the false beliefs and strategies Martha has (unconsciously) constructed on her painful life story, but a few are evident in her words and actions in this passage. (See, Casablanca and the Four Levels of Worldview.) First, we can infer from her accusation that Jesus doesn’t care that her value and belief system seems to include hidden creeds such as: “Nobody cares as much as I do,” or perhaps, “Trust no one but yourself.” Second, we can also infer from her attempt to order Jesus around that her personal rule of life is to always stay in control. And of course, her society’s ‘scripts’ or memes for how to run a household reinforce some of her worldview. (See, Crash Goes the Worldview: Why Character Transformation Requires Changing Scripts.)
This underlying micro-worldview may have helped Martha successfully navigate life in the past, but it fails her altogether in the high stress environment of hosting Israel’s hottest celebrity rabbi. Empowered by her unwavering (and probably unconscious) belief in her life story, Martha starts comforting herself with her preferred coping mechanisms. She knows that the evening is descending into chaos and that no one else cares as much as she does. She knows what must be done and is more than ready to demand obedience to her will. If she could only get her lazy sister’s attention then she could give Mary a piece of her mind and set things right. But her enrapt sister simply won’t take her eyes off that darn rabbi.
Like an adrenaline-charged mouse, her self-comforting behaviors begin winding her soul tighter and tighter with each passing moment. Luke tells us that all Martha accomplishes with her adrenaline rush is becoming worried and upset.However, those English words simply don’t carry enough weight to adequately describe her internal state. In the original Greek language, the word “worried” carries the idea of being pulled in many different directions at once. Like a loaf of bread thrown into a gaggle of geese, Martha’s soul careens from one concern to the next—the bread, the village busybody’s stare, the soup, her sister’s absence, the tableware, Jesus’ presence, the wine, the disciple’s appetites—until little pieces of her soul begin to tear away.
The word “upset” is even more instructive. It literally means that her “soul is in an uproar.” Anyone who has ever lived in a high stress environment knows exactly what that phrase describes. It is that feeling of a having an angry toddler or an out of control teenager in your soul. And it is the very state of being that now has Martha squarely in its jaws.
Two Phases of Losing It
It is only a matter of time until they begin to manifest in her relationships. Her anger boils to overflowing until she simply has to act.
In short, Martha loses it …on JESUS!
First, she transfers her self-comforting lie—“no one cares as much as I do”—onto Jesus. She pushes her way to the front of the room, not to sit at Jesus feet, but to yell at him. “Don’t you care that my sister has left me to do the work by myself?”
Second, she employs her self-comforting take-charge life-strategy to the Lord of the universe. Instead of sitting at Jesus feet and listening to what he has to say, Martha is now the one issuing the orders. “Tell her to come help me!” she commands.
Like everyone who loses it, Martha’s “Adrenaline Induced Psychosis” has only served to bring out the worst in her. Like a high-tempered filmmaker who “loses it” on set, a passive-aggressive academic who sabotages a rival’s tenure review, or the ever-smiling pastor who browbeats his family at home, her soul-deadening strategy has failed the test of thriving in a high stress environment.
We all develop stories we tell ourselves about life, God and others to help us cope with the pain of living in a fallen world. These unconscious narratives form the foundation of a false worldview from which we develop specific strategies to comfort ourselves from past wounds and protect ourselves from further harm.
The bad news is that high stress environments bring these lies and strategies to the surface like silver in the crucible. Veins coursing with adrenaline, our fight or flight reflex kicks in and we compulsively turn to the comfort and/or protect ourself like that mouse in a snake cage. The results are never good.
The good news is that this same crucible makes our largely unconscious worldview visible. Once we’re aware of the false story we are living we can begin address them in our day-to-day lives. Just listen to your own “self-talk” the next time you’re in a high stress environment and you will begin to piece together some of the false story you are living. (More on this in future posts.)
A Prescription for Adrenaline Induced Psychosis
The better news it that it is possible to follow Jesus into a way of life that exposes these lies and strategies before they destroy us. We can develop a personalized plan of spiritual disciplines to help identify, replace the specific lies with truth, and our unique self-defeating strategies with new life-giving ones. (More on this later as well.)
Through personalized soul-nourishing spiritual practices, we can learn to live a better story. Such practices renew our minds, transform our hearts, and better align our worldview with God’s great story of love and redemption.
Like Jesus, we can even arm ourselves with an arsenal of specific Scriptural truths and character-strengthening practices that prepare us to parry the fiery darts of the evil one, and overcome the specific temptations where we are most vulnerable.
Some of the most foundational truths of the worldview shift everyone requires to thrive spiritually in a high stress environment are found in Jesus’ response to Mary’s “losing it’ episode. One one level they are specific to Martha’s particular lies and strategies. On another level, they apply to all of us.
The first truth is that God is not angry at us when we ‘lose it.” Instead, he is full of compassion. He begins his response with the double use of her name—“Martha, Martha”—a cultural idiom for endearment. It is certainly not the reaction Martha anticipated. In fact, his gentle touch completely disarms her. Suddenly becoming self-aware of the scene she is causing in front of the very people she is trying to impress, (trust me, I’ve been there), her indignation drains from her face like a deflated balloon.
For the first time Martha looks into Jesus’ eyes. Instead of finding the anger/compliance response her take-charge strategy has produced in the past, she finds something altogether different. Jesus meets her bullying with unadulterated compassion.
He has been ready for this moment. He knows her story better then she does. With a knowing smile, Jesus shakes his head at his zealous follower and replies:
“You are worried and upset about so many things. But only one thing is necessary. Mary has chosen what is better and it will not be taken away from her.”
This is the second truth Jesus wants Martha (and us) to grasp–no one can take away your connection to God, but you. Like Curly’s advise to Billy Crystal in City Slickers, only one thing is really necessary. Do whatever it takes to stay connected to Jesus—those practices that help you live your life “sitting at his feet and listening to what he says.”—and everything else will take care of itself.
Double-Knowledge. The Two Steps Forward
This means than learning to thrive in high stress environments involves at least two different processes.
First, we need to discover which spiritual disciplines best help us stay connected to God in the midst of the battle. This is a very personalized process involving a great deal of trial and error (and, yes, failure.) We’ll come back to this theme later.
Second, we need to go on the journey of discovering WHY we keep blowing up and self-sabotaging. Spiritual directors through the centuries have discerned what they came to call the principle of double-knowledge: We can only know God as well as we know ourselves, but we can only know ourselves as well as we know God. I know that sounds like a Catch-22. But believe me, it’s not. Like the right and the left pedals of a bicycle we need to keep pumping both sides of this process to get anywhere. Only as we get to know God and his love will will begin to understand our own story better. And only as we come to know our own story better, will we become more open to the love of God.
Casablanca and the Transforming Love of God
Fight Club: Why Our Unreliable Narrator is Always Getting Us Into Trouble
The Volcano in Your Backyard: The Micro-Worldview of a Honeymoon from Hell
 Martha is always mentioned first, so she is most likely the older of the two. It was their younger brother Lazarus who Jesus raised from the dead (John 11).
 It is also possible that Martha and Mary’s singleness is deliberate. Scholars note that a Jewish apocalyptic sect known as the Essenes (who may have helped train John the Baptist) had a strong presence in Bethany and encouraged celibacy. Mary, Martha, and Lazarus could have been older members of this community rather than younger widows and/or orphans. Still, if their singleness is intentional, that makes it highly unusual and stressful in its own way as well.
If by some miracle of time-travel you could suddenly transport 18th Century theologian Jonathan Edwards into the audience of your local cineplex tonight, he might very well declare the entire motion picture industry a work of witchcraft! (And he may very well be right.) Yet, a careful reading of America’s greatest theologian’s most important work, A Treatise Concerning Religious Affections, reveals insight into both the craft of screenwriting and the purpose of Lent. Both point to the importance of paying attention to “inciting events.”
The Inciting Event
Whether in real life or a work of fiction, most stories begin with a hero pursuing largely self-centered goals designed to help them survive in their current circumstances. In Gladiator(2000) Maximus just wants to go home to his family and farm. In Star Wars (1977) Luke Skywalker desires only to get off the planet to be with his friends at school. Erin Brockovich (2000) seeks nothing more than a salaried job to feed her kids. Each lacks both the understanding and the desire to pursue anything beyond the struggles of their day-to-day life.
Then something happens; something screenwriters refer to as the inciting event. Suddenly, a new and bigger story crashes in upon the hero’s carefully constructed world. As John Truby notes in The Anatomy of Story, “At the beginning of the story, when weakness and need are being established, the hero is typically paralyzed in some way. You need some kind of event to jump-start the hero out of his paralysis and force him to act.” Luke accidentally triggers a hidden distress video in the memory of a droid. Erin Brokovich discovers that Pacific Gas & Electric (PG&E) is poisoning Hinkley’s small town water supply. Caesar unexpectedly commissions Maximus as protector of Rome in order to re-establish a true Republic. In each case, the inciting event presents the hero with a decision: Shall I continue in the relative comfort of my business-as-usual life or risk pursuing a new and more dangerous goal?
The entire story turns when (and only when) the hero makes this difficult choice. In fact, we don’t even have a story without such a decision. For instance, in The Blind Side (2009) hundreds of “Christian” parents drove past homeless teenager Michael Oher one cold November evening. Any one of them could have stopped to help. Only one did. Everyone faced the same event, yet only Leigh Anne Tuohy was incited by it. We tell her story because she acted. This is why most screenwriters refer to the hero’s decision to act in response to the inciting event as plot point one. Why? Because without that decision you don’t have a plot. You don’t have a story at all.
This is where Edwards’ thought becomes helpful. According to Edwards, our soul is composed of two primary parts: our mind (including both our perceptions and our understanding of those perceptions), and our heart. Our heart is that aspect of our inner being that attracts us toward some people, ideas, or actions and repels us from other people, ideas, and actions.
When our heart’s attraction towards a particular person, idea, or action is particularly strong, Edwards labels these powerful inclinations as our affections. To Edwards, affections are “the moving springs in all the affairs of life, which engage men in all their pursuits; and especially in all affairs wherein they are earnestly engaged, and which they pursue with vigour.” They are the hidden internal reasons why we choose to love some people and not others, to believe some ideas and not others, and take some actions but not others.
This makes our affections an extremely important element of any great story. When the hero answers their story question in the affirmative it reveals something deeper in the their soul than any casual observer could notice. Something in Erin Brokovich (compassion? justice?) compels her to radically devote herself to the townspeople of Hinkley, even at the expense of her children (for whom she originally took the job.) Something in Maximus (duty? nobility?) drives him to accept Caesar’s commission, even though it means delaying a comfortable retirement with his wife and son.
Something in the inciting event reveals the hero’s genuine affections. While this single experience never completely transforms the hero–numerous temptations to give up or turn back will come later–something in the inciting event causes them to take their first step of their journey away from a mere longing for comfort and convenience and into something deeper. They want something more and are willing to take action to pursue it.
Awakening or Transformation?
This motivating drive could be an affection that was always present, but “woke up” only when confronted with the inciting event. For instance, in J.R.R. Tolkien’s The Hobbit, Bilbo’s inciting event is an unexpected party of singing Dwarves inviting him to join their quest:
“As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of the dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.”
It takes a bit no longer for him to act, but soon he is running down the road without so much as a handkerchief in his pocket.
Other times, something in the inciting event itself changes the hero’s heart. For instance, in Steven Spielberg’s Close Encounters of the Third Kind (1977), a chance encounter with an alien spacecraft implants Roy Neary with both vivid images of The Devils Tower in Wyoming as well as the insatiable desire to go there. In Cecil B. DeMille’s 1956 epic The Ten Commandments, God not only incites Moses to return to Egypt to free his people, he transforms Moses’ affections (and even his appearance) as well. Paul’s conversion on the road to Damascus in Acts 9, is perhaps the ultimate inciting event in the New Testament. His zeal for God is both revealed and transformed by the voice from heaven.
In both inciting event types the hero is confronted with a choice before the story can even begin. As über screenwriting guru Robert McKee declares:
“True character is revealed in the choices a human being makes under pressure – the greater the pressure, the deeper the revelation, the truer the choice to the character’s essential nature.”
Obviously, the inciting event is only the beginning of this revelation and transformation, but it is crucial to writing (and living) a great story.
We Are What We Do
This is where Edwards’ thought becomes interesting not only for screenwriters, but for anyone seeking to deepen their relationship with God. Edwards rejects the commonly held notion that our affections and our will are two separate components of our inner being, so that our affections might want one thing, but our will chooses another. Not so, says America’s greatest theologian. “Such seems to be our nature, and such the laws of the union of soul and body, that there never is in any case whatsoever, any lively and vigorous exercise of the inclination, without some effect upon the body…” In other words, while we often profess belief in one direction and act in another, or feel we ought to act one way and then do the opposite, our actions alone reveal the true affections of our heart and mind. We do what we love.
Edwards therefore insists that genuine faith . .
“[C]onsists, in a great measure, in vigorous and lively actings of the inclination and will of the soul, or the fervent exercises of the heart. That religion which God requires, and will accept, does not consist in weak, dull, and lifeless wishes, raising us but a little above a state of indifference. God, in his word, greatly insists upon it, that we be in good earnest, fervent in spirit, and our hearts vigorously engaged.”
This is why Lent can be so transformative. The season is designed to help us examine the gap between ourprofessed faithand our lived belief, between ourcreedand our lifestyle, between the things we tell ourselves we arepassionateabout and our true motivationsrevealed by our actions. Jesus instructed his followers, “You will know them by their fruits.”And Edwards reminds us that Jesus viewed most important fruit as a love of God expressed in sacrificial service on behalf of others. “This is my command that you love one another as I have loved you… For even the Son of Man did not come to be served, but to serve and to give us life for others.”
The practice of (and not the mere tip of the cap to) sacrificial service reveals the presence of the greatest and highest affection of all: love of God and others for God’s sake. Why? Because much of what passes for religion seems motivated by little more than a self-centered desire to survive in our current circumstances. However, the decision to give up your life in sacrificial service of others is rarely motivated by anything except genuine spiritual affections. In essence, Edwards is saying, if you want to see who the true heroes are around you, don’t look for the most religious, or the most famous, or the most published. Look for those who love
Lent then is a season for honestly asking myself if I might be missing inciting events to love and serve that are happening all around me: a homeless teenager who needs shelter, a town that needs an advocate, a political system that needs reforming, a social injustice that needs a champion. Perhaps they are more than the mere random events. They could be God’s call to wake up and enter our true story. Our true affections are revealed only in our responses to these inciting events that dare us to ask: Shall I continue in the relative comfort of my business-as-usual life or risk pursuing a new and more dangerous goal?
 Or, ‘Main Character,’ as some main characters are clearly not heroic.
22 Steps to Becoming a Master Storyteller (p. 276). Faber & Faber. Kindle Edition. (2008-10-14).
 This is not to say that sometimes a hero requires numerous inciting events to jar them into action. For instance, Luke learning that a beautiful princess needs rescue, that his father was really a Jedi fighter pilot, or even that a Jedi master needs his help, isn’t enough to overcome his earth-bound (er, Tatooine-bound) inertia. It is only after imperial Stormtroopers kill his aunt and uncle that he finally decides to go with Obi-wan to Alderaan and, “Learn the ways of the force like my father.”
 Edwards, Jonathan (1745) A Treatise Concerning Religious Affections (In Three Parts) (Kindle Edition, 2011) Locations 332-333.
The Fellowship of the Ring (Boston: Mariner books, 2012), p. 83. (Italics mine.)
 Actually, in this nearly four-hour long epic, one could argue that Moses transformation is the midpoint of the film. However, in the biblical account, Moses’ encounter with THWH at the burning bush is clearly the inciting event for his personal journey at the Exodus itself.
“A writer for Emmy magazine is on the phone for you.”
At first I thought our PR director was pulling my leg. College professors don’t get calls from Emmy magazine. Not even when you’re a professor moonlighting as the Executive Director of Act One, a community of Christian entertainment industry professionals seeking to train and equip storytellers to enter mainstream Hollywood. Even though we had graduates writing, producing, and directing on numerous TV shows and more than a few feature films, the entertainment industry press had ever called our offices before.
Kurt Schemper changed all that. A producer for A&E’s critically acclaimed reality program, Intervention, Kurt had just become the first Act One graduate to win a prime time Emmy Award. The writer on the phone, Libby Slate, was fascinated by Kurt’s connection to a Hollywood Christian community. But, what really impressed her was how the Act One community had lived out our faith by rallying to aid former staff member Rosario Rodriguez after her gang-related shooting while walking in the tawny L.A. neighborhood Libby called home. (Read story here.)
Libby wanted to know if Emmy could do an article highlighting Kurt and Act One’s unique mission in Hollywood. Kurt and I readily agreed, and director Korey Scott Pollard (House, Grey’s Anatomy, Monk, Nashville, Rizzoli and Isles, Lie to Me, The Middle, Jack Ryan) signed on to represent the Act One faculty perspective.
As Kurt, Korey and I prepared for our interview, Korey pushed for us to be ‘really ready’ to express exactly what we wanted to say. Our conversations turned to how difficult it is to thrive spiritually in Hollywood, and interviewer Libby Slate graciously picked up on this theme.
In the course of our conversations Kurt mentioned that one of his college professors at Judson College encouraged him to pursue his calling to Hollywood by quoting Frederick Buechner:
“The place God calls you to is the place where your deep gladness and the world’s deep hunger meet.”
Kurt’s response was, “My deep gladness is Jesus. The entertainment industry is no different than any other place with lonely people searching for gladness.”
The idea of finding “deep gladness” in Hollywood really resonated with me, especially as I contemplated what a “soul-deadening” place Hollywood can be for many industry insiders. So in my interview, I told Emmy, “We’ve found that the spirituality taught by Jesus is an ideal starting place for guiding industry professionals on a soul-nourishing spiritual journey.”
That language resonated with Emmy readers as well, and soon opened doors all over Hollywood. Now it leads to this new series entitled, “Soul-nourishing Practices for a Soul-deadening world: Finding the Voice of Your Own Gladness in Hollywood and Beyond.”
My hope is that these posts will help filmmakers, educators and other culture makers find their own “deep gladness” through the soul-nurturing practices Jesus taught his first followers over 20 centuries ago. Not mere religious practices targeted at greater self-righteousness, but spiritual practices targeted at nurturing a deeper connection to God.
We officially launched the series earlier, but today I thought you might want to read the original Emmy article. (I couldn’t figure out how to post it directly, so you’ll have to download the article as a pdf.) Enjoy!
There are probably few things we do more poorly than relaxing. When they try, workaholics feel guilty, controllers get anxious, the lazy get bored, fun-lovers become disillusioned, the responsible get uncomfortable and the diligent feel awkward. We’ve got to make it happen; if we don’t who will? We’d rather burn out than rust out. We’ve got to be proactive, hard-working, productive, energetic, and busy. How in the world can we relax when there’s so much to do?
I’m using the word relax. But Jesus, in Matthew 11:28, uses the word “rest.” His word is superior and more satisfactory since it goes to the core of our being – our souls (“you shall find rest for your souls”). Relaxing is primarily a physical thing which humans try to make happen through their own efforts. Rest is an inner serenity, a calm trust that is realized even in the midst of outer turmoil. True rest, Jesus tells us, is a gift given to those who are with Him, accept His yoke, and learn from Him. Therefore, we can experience rest no matter our circumstances, our energy levels, or our productivity.
I’d like to focus on finding rest by “taking his yoke” as an exploration as to why we have such a hard time resting (or relaxing). Typically when a Bible teacher gets to the “yoke” he or she begins explaining what a yoke in Jesus’ day may have looked like and concluding that we, too, are connected (“yoked”) to Jesus so that He guides our lives and shares our burdens. That’s all well and good as far as it goes. Yet there may be something richer and deeper here into which Jesus is inviting us when he says, “take my yoke upon you.” We will find real rest in this richer and deeper place.
Pause a while on the word “my” that Jesus used in designating this yoke. Could it be that Jesus is inviting us into the same intimate relationship he has with the Father? First, he explains that certain truths are hidden from the wise and clever but not to the childlike (11:25-26). Then, he opens the door for us to get a glimpse of his relationship of experiencing life with the Father as the context for helping us understand “his” yoke (11:27). Now, is the perfect time to offer those willing to accept it (the childlike) the invitation to take hold of (enter and embrace fully) the intimate relationship that he has with the Father that He now wants us to share with him. In other words, “my yoke” is the kind of yoke he has with the Father, a yoke that connects them in loving intimacy. Astonishing! You and I are invited to possess an intimate relationship with the Father similar to what Jesus has with Him.
Are you facing turmoil? Are you weighed down by genuine concerns? Are you exhausted from trying to make your marriage, family, job, or ministry work? Are you carrying burdens that are crushing you? Take hold of Jesus’ “yoke,” put it on and learn what it is to be intimate with your Father. Within this deepening intimacy with the Father you will discover fresh ways to manage life’s burdens and weariness.
Does the prospect of intimacy with the Father like Jesus has stir something deep within you? Is that kind of intimacy something your heart and soul longs for? Does the prospect of genuine rest in connection with your Father resonate in your soul? Come to Jesus…his relationship with the Father can be your relationship with the Father…and find rest.
As I write this, I am watching my daughter, Micaiah, take a riding lesson at the Equestrian Center in Burbank, CA. The Equestrian Center is, uh, shall we say, “oddly out of place” in urban Los Angeles. On my right, traffic on the Golden State Freeway (“the” 5, as we say here in L.A.) zooms by at 65+ miles per hour. On my left, horses plod around a riding circle at, well, a lot less than 65 miles per hour. What gives?
Why would anyone invest so much time and money striving to master such an outdated mode of transportation? It takes years to painstakingly advance through learning to walk, trot, cantor, gallop, jump, dressage, etc. Then, once you do achieve riding excellence, your top speed is still only a fraction of that of the traffic whizzing by. My daughter shovels, “stuff,” to earn her lessons, but most riders shell out enough cash to cover monthly payments on a luxury car. I mean, if your goal is to get from Pasadena to Hollywood, then this horseback riding thing is a total waste of time. Just buy a Jag and get on with it.
Yet if you think of horseback riding as something designed to get you somewhere on your busy schedule then you are missing the entire point. Horseback riding is not a mode of transportation from one physical locale to another. It is a mode of transportation from one spiritual state to another. The disciplines of learning to ride cleanse the rider of the soul-deadening effects of modern life and “re-center” their soul in a calmer, deeper place. My actress-singer daughter says it’s “rejuvenating.” Seeing the light and energy in her eyes after each time she rides, I believe her.
Now at first glance, striving to master 2,000 year-old spiritual disciplines seems even more irrelevant than learning to ride a horse. I mean, at least horseback riding might help you land a role, or inspire a screenplay. What earthly good does it do to invest the time and energy it takes to master practices like prayer, meditation, fasting, Torah-study, or Psalm-singing? Sure, prayer can come in handy when you’re facing an audition, pitch meeting, or financing appointment. But this kind of “spiritual discipline” is practiced by everyone in Hollywood (even the staunchest atheists), and probably has about as much utilitarian value as wearing your lucky pair of socks. Prep for your meeting, pay for some good coaching, and get on with it.
Yet, if you think of the spiritual disciplines only as something to get you somewhere in your career, you are missing the entire point. Spiritual disciplines are not tools for getting you from failure to success. They are pathways for keeping you alive spiritually in the constantly shifting landscape of success and failure that is Hollywood.
The Soul-Deadening Worlds of Power
Actor/Comedienne/Writer Susan Isaacs once challenged a crowd of aspiring entertainment industry students, “Would you accept God’s call to Hollywood if you knew that you would only have three successful years out of a thirty-year career?” Most wouldn’t, yet that is about the average for those who ‘make it’ here. The spiritual disciplines are the means by which someone survives and even thrives, not only in the three years when they’re a hot property, but in the other twenty-seven as well.
Make no mistake, the competitive nature of all centers of power–Hollywood, the Ivy League, Wall Street, Washington, D.C., etc.–nearly always creates a soul-deadening culture.Former Yale Professor Henri Nouwen warned, “Our society is… a dangerous network of domination and manipulation in which we can easily get entangled and lose our soul.” Dave Schmelzer, principal at Blue Ocean, Inc. in Cambridge, MA asserts the overarching characteristic of his Ivy League community is what he calls, “Grim drivenness.” Dave adds, “These are the brightest and most talented people in the world, and the very drivenness that got them this far in a highly competitive environment prevents them from ever really enjoying the fruit of their success. There is always another rung to climb on the ladder of success.” Sounds a lot like Hollywood to me!
Yokes that Bring Our Souls Rest
Spiritual disciplines counteract this soul-deadening effect by nourishing the soul of the practitioner and re-centering the filmmaker, professor, stockbroker, and/or congressman in a calmer, deeper place. Prayer, meditation, study, etc. are means by which we deepen our connection to others and to God. Nearly everyone working in a pressure-filled environment can benefit from practicing them—from Zen Buddhist’s like Laker’s coach Phil Jackson, to Scientologists like Tom Cruise.
However, the spiritual disciplines play a particularly meaningful role in the Judeao-Christian tradition. They are part of what early Rabbis referred to as their yoke—the teachings and spiritual practices each Rabbi used to guide their students into a deeper relationship with God. Like learning to ride a horse, the study of Torah—the principal spiritual discipline in rabbinic education—demanded the utmost commitment to move from one level of expertise to the next. Yet, the promise of a life centered in God and his ways made the effort worthwhile. (See, Rabbinic Higher Education.)
Connecting to the Life of God
Jesus of Nazareth built upon this rabbinic tradition to shape his own version of spiritual formation. Jesus told his first followers, “Take my yoke upon you and learn from me… and you will find rest for your souls” (Matthew 11:29). He taught his disciples to pray, study, build community, and serve not to earn religious brownie points, but to form a deep attachment to God—to ‘rest’ in him. Like vines on a branch, Jesus promised his followers that if they would focus upon staying connected to the life of God, then the life of God would flow into them and bear fruit in everything they do (John 15:1-8). The spiritual disciplines are one of the key means by which we maintain that connection. (See, With Prayer in the School of Christ.)
USC philosophy professor, Dallas Willard, has worked tirelessly over the last few decades to describe how Christian spiritual formation can and should help us maintain our connection to the life and the love of God in the Academy, Hollywood, and beyond. He states:
“God’s desire for us is that we should live in him. He sends us the Way to himself. That shows us, in his heart of hearts, what God is really like–indeed, what reality is really like. In its deepest nature and meaning our universe is a community of boundless and totally competent love.”
Personalizing the Process
Like horseback riding, staying connected to the life and love of God is not a one-size-fits-all process. It has taken Micaiah years to find the right stable, the right trainer, the right horse (the crankiest, but “best” in the stable), and the right sub-disciplines to learn to ride in a way that maximizes the ‘gladness’ riding brings her soul. The same is true for those seeking to cultivate a relationship with God. The disciplines that help one person are often torture for another. The key for some is sitting quietly in a beautiful sanctuary, for others it is walking in the beauty of nature, for some connection to God is found among books in a quiet library, for still another it is best found amidst music is a raucous worship service.
The point of spiritual discipline is not to perform some cookie-cutter religious ritual to make God like you better, but rather to find the pathways that best help your soul connect to the God who already loves you infinitely, ultimately, and unconditionally.
In the following weeks I will explore a number of the key concepts and disciplines that have been most helpful to a variety of leaders in Hollywood, the Ivy League, and beyond in living a soul-nourishing life in a soul-deadening world. My hope is that we can help you create your own individualized set of spiritual disciplines that help you stay connected to the life and love of God even in the most pressurized situations.
Of course there is another way: the way of giving in to a soul-deadness. Will we? Or will we follow my daughter’s example and embrace an “outdated” approach to life, that in the end is the only one capable of transporting us where we really want to go—to the very heart of God.
“Don’t you think it’s a little odd to give up something for Lent in order to worship a Savior who told us to remember him by eating carbs and drinking alcohol?”
That’s the question a brilliant young writer confronted me with after an intense conversation covering Ash Wednesday, Lent, fasting, and dieting (there is a difference, right?).
To her, fasting made about as much sense as the head-bonking monks in “Monty Python and the Holy Grail,” whose unspoken motto appears to be: “Painfulness is next to godliness.”
She had a point. We find the head-bonking monks so funny precisely because we know that the extreme asceticism of the Middle ages, no matter how sincere, was profoundly flawed.
But are all ascetic practices flawed? She suspected they were. I desperately tried to offer an alternative perspective.
After talking it through for nearly an hour, I finally gave her the best answer I could: fasting is more like Moana than Monty Python.
Let me explain…
A Brief History of Lent
Fasting for 40 days before Easter was originally established as a time of spiritual preparation for new converts to Christianity before they were all baptized together each Easter. However, in 325 AD, The Council of Nicea made Lent an official season of fasting for the entire church to prepare to receive the new members.
This was normally practiced as eating only one meal per day for the entire 40 days. (Note: While many modern Catholics give up something for Lent, the Vatican only prescribes Ash Wednesday and Good Friday as official fast days.)
In the ensuing centuries many Christ-followers found Lent a helpful practice in their walk with God. Fasting is often connected with repentance in Scripture. Using fasting and repentance to help “Prepare the way” for the Lord” in one’s heart for the celebration of Christ’s death, burial, and resurrection can be a very helpful and instructive practice.
Entering this season of repentance through imposition of ashes on one’s forehead on “Ash Wednesday” can create a strong connection to the Biblical practice of repenting in sackcloth and ashes. (Traditionally, the ashes are made from palm fronds from the previous year’s Palm Sunday to remind us of how quickly our cries of, “Hosanna” can turn to “Crucify him!”) Skipping a meal, a favorite food, or favorite activity can help underscore our words of repentance with our bodies. Our “hunger” allows us to more closely identify with Jesus’ missional commitments, “My food is to do the will of him who sent me and to finish his work” (John 4:34).
However, the practice of Lent also has a dark side in church history. As the human tendency toward hyper-control began to infiltrate the church, the practice of Lent became more and more prescribed and restrictive with each passing year. By the Middle Ages the compulsory practice of Lent had become genuinely oppressive, not unlike Monty Python’s head-bonking monks. With the advent of the Reformation, Protestant leaders began to distance themselves from the practice.
Martin Luther saw nothing wrong with Lent in theory, but feared that most Lenten fasting had become dead compulsory religious ritual aimed at earning God’s favor that amounted to “fasting to Satan instead of a fasting unto holiness.” Ulrich Zwingli and later John Calvin were just as rough. They all but outlawed what they called the “gross delusion” of the “superstitious observance of Lent.”
Soon, Lent-keeping became a shibboleth defining which side of the Reformation you were on. Take ashes and the “Anti-Lent” crowd called you an enemy of the gospel. Refuse them, and the “Pro-Lent” gang condemned you to hell.
John Wesley, founder of the Methodist church, was perhaps the first Protestant to swing the pendulum back toward a more balanced approach. Wesley broke with the Church of England’s ban on Lent by listing it among his approved fast days of the Church. In fact, he thought it was “deplorable” that many Methodists neglected such fasting.
Wesleyan Methodist churches eventually reinstated Lent as an official church practice. Anglicans, Lutherans, and later Presbyterians also eventually reinstated Lent as well (which probably caused Zwingli and Calvin to roll over their graves.)
Dallas Willard and the Spiritual Formation Movement
In recent years, Lent has enjoyed something of a revival among younger Christians, especially those influenced by the contemporary spiritual formation movement. Dallas Willard, Richard Foster, James Houston, and a growing chorus of “Willard for Dummies” advocates are helping contemporary Christians recapture the positive elements of “spiritual discipline” in general, and Lent in particular.
Willard warns that Protestantism’s emphasis upon grace all too often draws believers into the heresy of passivism. A proper understanding of grace rightly emphasizes our inability to “earn” our own salvation. However, passivism mistakenly emphasizes our inability to play a role in our own transformation (The Renovation of the Heart, p. 82). Fasting in general, and Lenten fasting in particular can help counteract this passive, “I’ll wait around for God to change me,” approach to faith.
While we are saved by faith through grace alone (Eph. 2:8-9), we are transformed by the “interactive presence” of the Holy Spirit in our lives (p. 23). God could transform us instantly and unilaterally, but he has chosen to transform us largely by working with us (p. 10). We participate in our own transformation indirectly by shaping of our thoughts and feelings through the rigorous and skillful application of spiritual discipline (p. 248).
In other words, while we cannot instantly or immediately transform our character by sheer force of will, we can will to practice the kind of disciplines that put us in a place where God’s grace can transform us into the image of Christ.
This is why Lent can be both used and abused. To practice Lent out of sense of compulsion—say, fearing that God will smite me if I eat chocolate—or in hopes of earning brownie points with God for my good behavior, are both anathema to the the gospel of Christ and the true spirit of the disciplines.
However, to give up something for Lent in hopes of using your body (your whole being) to express your prayer of repentance can be very powerful. It can put you in a position to better cooperate with the movements of the Spirit in your own soul. And, of course, if we also “take up” a spiritual discipline for Lent—say, Scripture meditation or centering prayer—then we are in a position to catch even more of God’s grace.
Catch the Wave
This is where Moana comes in. Just like in Disney’s Moana, the surfer doesn’t create the wave, but her board (or canoe) helps her to catch the energy provided by the ocean. In the same way, a spiritual discipline (such as a Lenten fast) doesn’t create the transforming power of God, but it does help us to catch it.
The spiritual discipline of fasting creates a space of faith that God is only too glad to fill. When practiced in this way, the spiritual discipline of Lent helps people “catch the wave” of God’s ever-available power. (For ideas, see The Lent Project, sponsored by Biola University’s Institute for Spiritual Formation.)
A Personal Note
That’s the way it has worked for me. I didn’t grow up in a tradition that emphasized Lent. Yet for some reason, As a young Christ follower, Lent just seemed like a good idea to prepare my heart for Easter by following Christ into a 40-day fast. Since I wanted my fast to be ‘to’ Christ and not just ‘from’ something, I decided to give up television and use the time I freed for prayer and bible reading.
It turned out to be a profound spiritual experience. I discovered that God’s power and presence had been fully available to me, but night-after-night I had not been available to him. Once I began using the time previously devoted to mindless entertainment to seek him, I began to catch the supernatural resources that had always been at my disposal.  The spiritual discipline of Lent became a surfboard God used to propel me forward in my faith. I’ve since witnessed corporate Lenten fasts impact entire churches and academic communities.
Alcohol, Carbs, and the Presence of God
And that is why Lent is more like Moana’s majestic wave riding than the Monty Python monks pointless head-bonking.
So, Arielle, there’s my answer. Enjoy the blessings of God found in food, drink, carbs, and the arts. “Whether you eat or drink or whatever you do, do it all for the glory of God” (1Cor 10:31). But sometimes an intense season of spiritual discipline such as Lent is just what we need to re-examine our heart and catch the wave of Christ’s ever-present help.
 Okay, the official Lenten season from Ash Wednesday to Easter is actually 46 days. Why? Because Medieval church leaders decided that fasting on Sunday (a Christian ‘feast’ day) was hypocritical. They deducted the six Sunday’s of Lent from the season of repentance, making Lent an awkward 46 days long. This has always seemed more like a loophole than an actual spiritual discipline to me. I normally just fast the whole 46 days, but having a break once a week can be nice and even help prevent legalism from creeping in.
 John Ortberg’s self-professed job description.
 Don’t take this as a slam on TV viewing in general. I still love television and many of my friends and students work in the TV industry. I think moderate viewing of excellent shows can be a very helpful spiritual discipline. In fact, my DVR and streaming services have helped me nearly eliminate the kind of mindless channel-surfing that often thwarted my early spiritual development. Since then I have given up Facebook or Social Media, as these tend to be my major time wasters in my current lifestyle.
“What was really easy was falling in love with this person, was falling in love with Jesus Christ. That was the most surprising thing.” -Andrew Garfield
‘Grace Enough’ by Brendan Busse in America
People make the Spiritual Exercises of St. Ignatius Loyola for a variety of reasons. Preparing to play a featured role in a Martin Scorsese film is not one you hear often, but it’s probably not the worst reason. Men and women often make retreats to find some clarity about who they are or who they’re called to be. I suppose it was so for Andrew Garfield when he asked America’s James Martin, S.J., to guide him through the Exercises as he prepared to play the lead role in Mr. Scorsese’s new film, “Silence.”
Father Martin was hesitant at first. But Garfield was looking for something. Or someone. And that’s not a bad reason at all. In the end, it was enough for Jim. And more than enough for God.
Andrew Garfield was, for lack of a better word, successful in the Exercises. “There were so many things in the Exercises that changed me and transformed me, that showed me who I was…and where I believe God wants me to be,” he told me. That’s about as good a retreat outcome as one can hope for. And his success should not surprise us.
His training as an actor prepared him well for the dynamics of Ignatian prayer, whereby one imagines oneself within a series of biblical scenes in order to attain “interior knowledge” of God and to articulate that knowledge in a life of compassionate action and generous service. What was more surprising, what surprises him still, was falling in love.
When I asked what stood out in the Exercises, he fixed his eyes vaguely on a point in the near distance, wandering off into a place of memory. Then, as if the question had brought him back into the experience itself, he smiled widely and said: “What was really easy was falling in love with this person, was falling in love with Jesus Christ. That was the most surprising thing.”
He fell silent at the thought of it, clearly moved to emotion. He clutched his chest, just below the sternum, somewhere between his gut and his heart, and what he said next came out through bursts of laughter: “God! That was the most remarkable thing—falling in love, and how easy it was to fall in love with Jesus.”
The experience of falling in love with Jesus was most surprising, perhaps, because Garfield, like many people, came to the Exercises asking for something else…
If James K. A. Smith is correct in asserting that Jesus establishes particular ‘hot spots of sacramentality’ and endues them with a special sense of God’s presence, then the Christian college chapel must become the campus hot spot once again.
Campus worship services convened in a literal college chapel building and/or a figurative chapel program remain one of the most distinctive and symbolic methodologies in the history of American Christian higher education. Rooted in the British Puritan understanding of the college as a vehicle for the ongoing reformation and revival of church and society, chapel services are as old as the nations’ first college (Harvard, 1626) and endure today in most overtly Christian colleges and universities, as well as in many denominationally affiliated schools. Often the symbolic center of controversy over changes in the soul of a given college or university,[i] college chapels serve as significant campus ethos-shaping institutions—especially where chapel architecture and/or compulsory attendance dominate the campus landscape and schedule.[ii] Even as contemporary Christian colleges and universities struggle for an adequate theology of worship in a learning community, chapel programs and their staff serve as hubs for most co-curricular spiritual formation and service-learning opportunities on campus.
The Origins of the College Chapel Program
Puritan Liberal Education and Revivalism The British Puritan penchant for Christian higher learning crossed the Atlantic with the first pilgrims so that George M. Marsden regards the Puritan founding of Harvard College just six years after their first settlement in the New World as “one of the remarkable facts of American history.”[iii] Following the model of Emmanuel College, Cambridge—the hotbed of English Puritanism—and the writings of Jonathan Edwards, early American colleges integrated a classic liberal arts education in the classroom with Puritan revivalistic worship services in a college church,[iv] consistent with how Puritans “combined highly intellectual theology with intense piety.”[v] (See, Revival and Moral Philosophy: A Puritan Vision for Higher Education.)
True to the Protestant doctrine of Sola Scriptura and revivalism’s commitment to preaching as the primary means of conversion and grace, colleges preserved a time and place for students to sit under the biblical preaching of the college president. Compulsory attendance at two Sunday worship services (open to the public) and daily preaching and/or prayer services for the college community was central to the Puritan conception of higher education, and became the standard for Harvard, Yale, and the vast majority of American colleges that followed them. Since these services normally took place in a college chapel building (often the most architecturally dominant and symbolically significant structure on campus), they inevitably became known as chapel services.
The College Church and the Preaching President
When a college had an especially eloquent president—such as Timothy Dwight at Yale (1795–1817), Francis Wayland at Brown (1827-1855), Charles G. Finney (1852–1875) at Oberlin, or John McLean at Princeton (1854-1888)—“the effect on the students could be electric.”[vi] Yet, while most of college presidents were clergyman,[vii] few were remarkable preachers. The success of the chapel program often demanded largely upon periodic religious revivals among the students lest chapel preaching fall upon hard hearts and deaf ears. [viii] This only increased the influence of revivalism on Protestant Christian education, especially in the aftermath of the First Great Awakening, when the founding of numerous revival oriented colleges—such as Dartmouth, Princeton, and Brown—eventually led to the explosion of more than five-hundred revival colleges across the American frontier during the Second Great Awakening (1790-1840).[ix] (See, Do America’s Colleges Need ‘Revival’?)
Apologetics and Common Sense Realism
At the turn of the nineteenth-century, the challenge of European radical skepticism [x] led to a dynamic connection between revival colleges and the philosophical worldview of Scottish Common Sense Realism.[xi] Apologetic sermons on moral philosophy joined revivalism as the focal points of the college chapel program. Marsden notes that, “…these two programs, the revival and moral philosophy, were the chief collegiate supplements to traditions of regulated worship…”[xii] and laid the foundation for nearly a century of academic ascendancy that “may be called with justice the great age of Christian higher education in the history of the country.”[xiii]
Chapel services remained so integrally identified with American higher education that compulsory chapel attendance continued in virtually all colleges—even state universities—late into the nineteenth-century. [xiv] Today, many if not most historically denominational colleges maintain college chapel buildings, worship services, and chapel staff who aid students in spiritual formation as well as service-learning opportunities in the local community and global village.
The College Chapel Program and the Soul of the American University
Secularization and the Demise of Compulsory Chapel Programs As the most visible symbol of faith on campus the college chapel has often served as a lighting rod in the well-chronicled tension between the educational and spiritual missions of Christian colleges. Since the post antebellum demise of the revival college movement (sometimes called the old-time college) only a handful of American colleges and universities have been able to overcome the forces of secularization and maintain their uniquely Christian soul.
Some scholars emphasize the demise of compulsory college chapel programs as a unique development in the transition from Revival College to Modern University. [xv] They point to the elimination of compulsory chapel at Harvard (1886) and Yale (1926) as key marking points in the forty-year secularization of the American academy.[xvi]
Other researchers emphasize the continuity of anti-spirituality pressures facing Christian colleges since Harvard’s faculty rejected the First Great Awakening in 1741.[xvii] They see growing pressure against chapel programs in contemporary Christian colleges as part of an ongoing pattern in the history of Christian higher education.
Managing the Tensions of Worship in a Learning Community
Both sides of this debate recognize that the dualism of post-Enlightenment conceptions of knowledge create a nearly inevitable force against the life of the Spirit in colleges committed to the life of the mind.[xviii] Today’s colleges chapel programs face increasing faculty pressure to become more denominationally-diverse, historically-rooted, and intellectually-challenging, even as post-modern, consumer-oriented, doctrine-phobic students demand more experientially-based, relationally-connected, and individually-catered worship experiences.[xix] Managing these pressures has led to two primary approaches to chapel in Christian colleges.
Chapel as an Educational Essential
Many colleges view their Chapel education programs as an educational essential of a Christian college—not unlike the general studies courses in a college’s core curriculum. As the Gordon College (MA) website states, “Because Chapel and Convocation programs are viewed as an integral component of a Gordon education, regular attendance is required for graduation, much like other non credit-bearing elements of the Gordon experience…”[xx] Similar to the Puritan college church, chapel services serve the broader educational mission of integrating highly intellectual pursuits with intense personal piety.[xxi] Chapel services are required of most students and held in a large often symbolically enriched worship space and at a protected time in the college schedule.[xxii]
Ideally, such chapel programs serve as a corporate spiritual discipline that both symbolically and educationally tie together the entire Christian college experience so that chapel is “foundational for university-wide commitment to integrate faith, learning, and living across campus.” [xxiii] However, just as in historic revival colleges, weak preaching and programming can quickly lead to student dissatisfaction, complaints, and misbehavior from the captive audience.[xxiv]
Chapel as a Student Service
Others colleges employ a model that views chapel services as one student service among many—not unlike other voluntary co-curricular activities. These chapel services are often (although not always) invested with the time, space, personnel, and financial support required to remain ethos-shaping forces on campus, but not because attendance is enforced.[xxv] As the Bethel University (MN) website declares, “Chapel is the heart and soul of spiritual life on the Bethel campus. Chapel attendance is not required, but we believe it’s a vital part of building community and learning about our shared faith.”[xxvi] Students may choose to voluntarily attend worship services to help them worship God in everything they do, but these colleges believe that such heart practices are best-pursued voluntarily.[xxvii]
Ideally, such an approach enhances the worship experience for all who take part and reduces the need to police student attendance and behavior. Practically, the threat of a conspicuously empty chapel often leads to tailoring worship to the tastes of the majority of undergraduate students and subsequently to great faculty and minority student dissatisfaction. The student services model is nearly always the first step towards to end of a vital college chapel program.[xxviii] they often start strong in the first decade after attendance is no longer taken, only to gradually dwindle to a small percentage of the campus. Julie Reuben notes that once ‘critical mass’ is lost, college administrations often discover there is no going back from the ‘disaster’ of a voluntary chapel.[xxix]
The Heritage of the College Chapel
Two Theological Poles of Worship While modern Christian colleges have yet to develop a widespread theology capable of managing these tensions at the level of the Puritan model, [xxx] both sides in the debate agree that chapel programs should be a time when at very least a sizable majority of the college community gathers together to celebrate their common faith in meaningful expressions of corporate worship, learn the central tenants of the Christian faith, and consider together how to live out their faith throughout their campus community, scholarship, personal lives, and future calling.
Protestant theologies of worship have consistently emphasized that all of life and not just sacred times and places are potentially acts of worship. Commitment to the life of the mind required to forge a genuinely Christian worldview can make “the classroom as a chapel, scholarship as devotion,” so that, “Christianity at the base of the curriculum and suffusing all studies (is) the essence of Christian education.” [xxxi] However the affirmation that all of life can be worship need not discount our need for worship services that train our hearts and minds to worship and provides a means of grace by which the Spirit forms our soul in unique and intense ways. As James K. A. Smith asserts, “Jesus seems to establish particular hot spots of sacramentality and . . . endues them with a special sense of presence,”[xxxii] and there is little doubt that a Christian college chapel service should certainly be one of these hot spots.
Back to the Future
These two poles of worship guided the Puritans in their integration of a liberal education in the classroom and revival in the college chapel precisely because the renewing power of the presence of the Holy Spirit in the chapel is the best defense against hard hearts and deaf ears and in the classroom. Perhaps it is not surprising that both voluntary student-service chapel programs and compulsory educational-essential programs work best in seasons of religious awakening,[xxxiii] nor that both types of chapel programs benefited from the last season of spiritual awakening on American college campuses (1995).[xxxiv] As the contemporary Christian college movement continues to develop deeper theologies of worship in learning communities there is reason to hope that such intentionality could lead them back to the future of a second “great age of Christian higher education.”[xxxv]
Adapted from, Gary David Stratton. 2015. “The College Chapel,” in George Thomas Kurian and Mark A. Lamport, eds. Encyclopedia of Christian Education, Lanham, MD: Rowman and Littleton Academic Press of America.
Notes [i] Widespread use word soul to describe the essence of uniquely Christian higher education was initiated by George M. Marsden in 1992 in his essay, “The Soul of the American University: A Historical Overview,” in The Secularization of the Academy, ed. George M. Marsden and Bradley Longfield (New York: Oxford University Press, 1992). It was followed by Marsden, The Soul of the American University (New York: Oxford University Press, 1994), Robert Benne, Quality with Soul: How Six Premier Colleges and Universities Keep Faith with Their Religious Traditions. (Grand Rapids: Eerdmans, 2001), Stephen T. Beers, The Soul of a Christian University: a Field Guide for Educators. (Abilene, Tex: Abilene Christian University Press, 2008), and others. [ii] Benne, Quality with Soul, 11-12, 193-14, 213-14. [iii] Marsden, The Soul of the American University, 33. [iv] William C. Ringenberg, The Christian College: A History of Protestant Higher Education in America (Grand Rapids: Baker, 2006), 38. [v] George M. Marsden, Fundamentalism and American Culture (New York: Oxford University Press, 2006), 44. [vi] Ibid. 64. [vii] In 1840 eighty-percent of all college presidents at overtly Christian colleges were clergyman, as well as nearly sixty-percent of state college presidents. Marsden, Soul of the American University, 81. [viii] Mark A. Noll, Rise of Evangelicalism: the Age of Edwards, Whitefield, and the Wesleys (Downers Grove, Ill: InterVarsity Press, 2003), 53-60. Italics mine. [ix] George M. Marsden, Jonathan Edwards: A Life (New Haven: Yale University Press), 499. George M. Marsden and Bruce Longfield The Secularization of the Academy (New York: Oxford University Press, 1992), 8-9. [x] Particularly David Hume and Voltaire. [xi] First proposed by Thomas Reid and developed by Princeton president Thomas Witherspoon, where Timothy Dwight studied. Mark A. Noll, America’s God: From Jonathan Edwards to Abraham Lincoln (New York: Oxford University Press, 2002), 93-113. Also, Noll, “The revolution, the Enlightenment, and Christian higher education in the early republic,” in Making Higher Education Christian, eds. Joel Carpenter and Kenneth Shipps (Grand Rapids: Christian University Press, 1987), 58-64. [xii] Marsden, Soul of the American University, 58. [xiii] Noll, “The revolution, the Enlightenment, and Christian higher education,” 64. [xiv] Ringenberg, The Christian College, 2003, 80-82. [xv] Such as Ringenberg’s The Christian College; Marsden’s The Soul of the American University; and Julie A. Reuben’s The Making of the Modern University: Intellectual Transformation and the Marginalization of Morality (Chicago: University of Chicago Press, 1996). [xvi] Reuben, Modern University, 119-122; Marsden, Soul of the University, 21. [xvii] Such as, James T. Burtchaell, The Dying of the Light: the Disengagement of Colleges and Universities from their Christian Churches. Grand Rapids, MI: W.B. Eerdmans, 1998), Michael L. Budde and John Wesley Wright, Conflicting Allegiances: the Church-based University in a Liberal Democratic society (Grand Rapids, MI: Brazos Press, 2004), and Benne, Quality with Soul. [xviii] Marsden, Fundamentalism and American Culture, 7-10. [xix] A youth group worldview described as “Moral Therapeutic Deism” by, Christian Smith and Melinda Lundquist Denton, Soul Searching: the Religious and Spiritual lives of American Teenagers (Oxford: Oxford University Press, 2005). Also, Kendra Kreasy Dean, Almost Christian: What the Faith of Our Teenagers is Telling Us about the American Church (Princeton: Princeton University Press, 2010.) [xx] “Chapel Attendance Policy,” Gordon College Website, 2013-04-15. http://www.gordon.edu/page.cfm?iPageID=474 [xxi] Marsden, Fundamentalism, 44. [xxii] Benne highlights non-denominational Wheaton College and Baptist affiliated Baylor University as examples where this model currently appears to be working. Quality with Soul, 150. [xxiii] David S. Dockery, Renewing Minds: Serving Church and Society Through Christian Higher Education (Nashville, TN: Broadman, 2007), 108. Dockery is president of Union University, an educational-essential chapel school. [xxiv]Burtchaell, The Dying of the Light, 232, 320. [xxv] Benne, Quality with Soul, 49. [xxvi] “Worship/Chapel at Bethel,” Bethel University Website, http://cas.bethel.edu/campus-ministries/worship/chapel, 2013-04-15. [xxvii] Benne highlights Calvin College (Christian Reformed), Valparaiso University (Lutheran), and the University of Notre Dame (Catholic) as examples where this model appears to be attracting a critical mass of students, at least to Sunday services. Quality with Soul, 145-149, 160-165. [xxviii] Benne calls this the third college chapel model: institutions whose voluntary chapel programs are marked by very low attendance and without a designated chapel hour in the college schedule, Quality with Soul, 49. [xxix] Modern University, 123-124. [xxx] See David S. Dockery’s discussion of the lack of thorough theology in Renewing Minds, 124-137. Encouraging starts towards such a theology are found in, Duane Liftin, Conceiving the Christian College (Grand Rapids, MI: W.B. Eerdmans, 2004), Cary Balzer and Rod Reed. Building a Culture of Faith: University-wide Partnerships for Spiritual Formation (Abilene, TX: Abilene Christian University Press, 2012), and James K. A. Smith, Desiring the Kingdom: Worship, Worldview, and Cultural Formation (Grand Rapids, MI: Baker Academic, 2009)and Imagining the Kingdom: How Worship Works (Grand Rapids, MI: Baker Academic, 2013). [xxxi] James Bratt, as quoted in ed. Paul John Dovre, The Future of Religious Colleges: the Proceedings of the Harvard Conference on the Future of Religious Colleges, October 6-7, 2000 (Grand Rapids, MI: W.B. Eerdmans Pub, 2002), 203. This “all of life can become worship” perspective is also prominent at many schools with required chapel. [xxxii] Desiring the Kingdom, 149. [xxxiii] Ringenberg notes this revival effect compulsory chapel programs, Christian College, 62ff, and Reuben in voluntary chapel schools, Modern University, 119. [xxxiv] In the 1995 campus awakening voluntary attendance at Hope College chapel jumped from a handful of students to nearly 90% of the student body, and student satisfaction with Gordon College’s compulsory chapel program jumped from less than 50% to over 90% in a single year. James C. Kennedy and Caroline Joyce Simon, Can hope endure?: a Historical Case Study in Christian Higher Education. Grand Rapids: Eerdmans, 2005), 188-195. Lyle W. Dorsett Timothy K. Beougher, Accounts of a Campus Revival: 1995 (Wheaton, IL: Harold Shaw, 1995), 139-170. [xxxv] Noll, “The revolution, the Enlightenment, and Christian higher education,” 64. R. Judson Carlberg, “The Evangelical Vision: From Fundamentalist Isolation to Respected Voice,” in The Future of Religious Colleges, ed.Paul John Dovre, 231.
Balzer, Cary and Rod Reed. Building a Culture of Faith: University-wide Partnerships for Spiritual Formation. Abilene, TX: Abilene Christian University Press, 2012.
Beers, Stephen T. The Soul of a Christian University: a Field Guide for Educators. Abilene, Tex: Abilene Christian University Press, 2008.
Bennie, Robert. Quality with Soul: How Six Premier Colleges and Universities Keep Faith with Their Religious Traditions. Grand Rapids: Eerdmans, 2001.
Budde, Michael L. and John Wesley Wright, Conflicting Allegiances: the Church-based University in a Liberal Democratic society. Grand Rapids, MI: Brazos Press, 2004).
Burtchaell, James T. The Dying of the Light: the Disengagement of Colleges and Universities from their Christian Churches. Grand Rapids, MI: W.B. Eerdmans, 1998.
Carlberg, R. Judson. “The Evangelical Vision: From Fundamentalist Isolation to Respected Voice,” in The Future of Religious Colleges, ed. Paul John Dovre. Grand Rapids, MI: W.B. Eerdmans, 2002.
Dean, Kendra Kreasy. Almost Christian: What the Faith of Our Teenagers is Telling Us about the American Church, Princeton: Princeton University Press, 2010.
Dockery, David S. Renewing Minds: Serving Church and Society Through Christian Higher Education. Nashville, TN: Broadman, 2007.
Dorsett, Lyle W. and Timothy K. Beougher. Accounts of a Campus Revival: 1995. Wheaton, IL: Harold Shaw, 1995.
Dovre, Paul J. The Future of Religious Colleges: the Proceedings of the Harvard Conference on the Future of Religious Colleges, October 6-7, 2000. Grand Rapids, MI: W.B. Eerdmans, 2002.
Kennedy, James C. and Caroline Joyce Simon, Can Hope Endure?: A Historical Case Study in Christian Higher Education. Grand Rapids, MI: Eerdmans. Liftin, Duane. Conceiving the Christian College. Grand Rapids, MI: W.B. Eerdmans, 2004.
Marsden, George M. “The Soul of the American University: A Historical Overview,” in The Secularization of the Academy, ed. George M. Marsden and Bradley Longfield. New York: Oxford University Press, 1992.
__________. The Soul of the American University: From Protestant Establishment to Established Nonbelief. New York: Oxford University Press, 1994.
__________. Jonathan Edwards: A Life. New Haven: Yale University Press, 2003.
__________. Fundamentalism and American Culture. New York: Oxford University Press, 2006.
Noll, Mark A. “The revolution, the Enlightenment, and Christian higher education in the early republic,” in Making Higher Education Christian, eds. Joel Carpenter and Kenneth Shipps. Grand Rapids: Christian University Press, 1987.
__________. America’s God: From Jonathan Edwards to Abraham Lincoln. New York: Oxford University Press, 2002.
__________. The Rise of Evangelicalism: the Age of Edwards, Whitefield, and the Wesleys. Downers Grove, IL: InterVarsity Press, 2003.
Reuben, Julie A. The Making of the Modern University: Intellectual Transformation and the Marginalization of Morality. Chicago: University of Chicago Press, 1996.
Ringenberg, William C. The Christian College: A History of Protestant Higher Education in America. Grand Rapids, MI: Baker, 2006.
Smith, Christian and Melinda Lundquist Denton, Soul Searching: the Religious and Spiritual lives of American Teenagers. Oxford: Oxford University Press, 2005.
Smith, James K. A. Desiring the Kingdom: Worship, Worldview, and Cultural Formation. Grand Rapids, MI: Baker Academic, 2009.
__________. Imagining the Kingdom: How Worship Works. Grand Rapids, MI: Baker Academic, 2013.
At the Republican National Convention, Senator Lindsey Graham noted the shifting national demographics and commented, “We’re not generating enough angry white guys to stay in business for the long term.”1
Graham said this at the 2012 convention.
Hundreds of pieces will be published as a postmortem on those Americans, particularly evangelicals, who supported Donald Trump in the 2016 presidential election. Robert P. Jones has recently referred to them as “nostalgia voters . . . culturally and economically disaffected voters that are anxious to hold on to a white conservative Christian culture that’s passing from the scene.”
Rod Dreher says this bloc holds the paradoxical view that the future is rightfully theirs and that the space for them in the United States is shrinking. This “dispossession,” as Dreher calls it, is “psychologically traumatic to certain whites who expected the world to work in a different way—a way that favored them.”2 Trump and his ilk offer a temporary balm to the damaged psyche of the dispossessed by making them feel good about who they are (i.e., real Americans) and what they could be (i.e., great again), all of which is tied directly to who they are not (i.e., immigrants, Muslims, etc.).
Marquez Ball further complicates things by suggesting that the term evangelical evokes racist undertones, saying, “Very few African American Christians would consider themselves to be evangelical, because for many the term often implies a white racist. . . . The 2016 presidential campaign of Donald Trump is challenging white evangelicals to prove that evangelical is not a code word for ‘white racist.’” As Michael Horton says, “many who call themselves evangelicals today find their ultimate loyalty in preserving or regaining a lost socio-political and cultural, perhaps even racial, hegemony.”3 Both Ball and Horton identify the significant baggage of the term evangelical, now reinforced by those who support Trump’s candidacy, which is simply an undercurrent of what evangelicalism has always been in America. If white evangelicals wish to be reconciled with people of color, then they should confess precisely how they have been possessed by something other than the faith they proclaim, irrespective of the repercussions that will befall the penitent and their structures of power.