Don’t miss your chance to “Vote” for the Movies you Love
The 6 percent of Americans who actively participate in the Twitter community exert a much greater cultural influence than those who don’t… at least in Hollywood.  While old-fashioned movie reviewer endorsements and word-of-mouth buzz continue to influence moviegoer choices, the “Twitter Effect” has become one of the most watched indicators in the industry.
Our recent conversations with marketing and distribution insiders at major production companies have reinforced this reality. One confided, “While it is difficult to quantify the exact extent of the ‘Twitter Effect,’ you cannot believe the amount of time and energy we put into tracking and attempting to influence social media, especially Twitter.”
Another admitted that studio executives openly lament that Twitter has killed Hollywood’s tradition of hyping a bad movie (such as The Tourist) into a solid box office. A great marketing campaign might be able to get an opening night crowd, but once those early moviegoers start tweeting their friends (normally before the final credits roll) there is no place to hide. “By noon on Friday, we can normally project the final weekend box office numbers of any film using no other tracking tool than ‘Twitter-Chatter’ alone.”
For instance, last year’s expected Christmas box office hit Little Fockers made a fortune in its first few days in the theatre. With an established series audience and a substantial marketing campaign Fockers 3 seemed like a “can’t miss” hit. However, negative Twitter-Chatter immediately began to drag it down in the box office.
Conversely, the Coen Brothers’ True Grit remake started much more slowly, but eventually beat Little Fockers at the box office in no small part due to excellent Twitter Chatter. Obviously, it not BECAUSE of Twitter, but because True Grit is a MUCH BETTER MOVIE and the 6% of Americans on Twitter got that message out.
The King’s Speech provides an even more dramatic example of holiday season Twitter power. With a measely $355,450 opening weekend, Speech looked doomed to failure. However, the Twitter, Facebook, and critical buzz was so strong, the Weinstein Company widened distribution to 700 screens on Christmas Day and to over 1,500 screens on January 14, 2011. King’s Speech never quite caught Fockers or Grit at the box office, but it did win a little statue they like to call the Oscar. So…
The message to Hollywood? Make good movies or the 6% of Americans on Twitter will make you pay.
The message to moviegoers? If you want to influence Hollywood… TWEET!
 According to the Pew Internet and American Life Study, 8% of online Americans have Twitter accounts, but only 60% of those actually use them extensively, making 6% a generous estimate of “active users.” Percentages for 18 to 29 year olds are nearly double that of both older and younger (teenage) populations.